The image quality from this lens is, as other reviews indicate, nothing short of spectacular. Having used its ancestor, the Nikon 28-70mm f/2.8, I am not surprised in the least. Despite specifications to the contrary, the 24-70mm feels lighter in my hands than the 28-70mm did, and if it is possible, somewhat more responsive. Perhaps the weight distribution is more even in the 24-70mm than it was in the previous iteration.
After using this lens for a few weeks, two things did surprise me:
1. I don't miss VR in the slightest. I was, to put it mildly, dismayed to find out that Nikon did not include VR in their latest evolution of their fixed-aperture standard zoom. I was, to put it mildly, pleased to see that I get proper exposures with 1/100s shutter speed or higher in all the situations where it matters to me. The configurable auto-ISO on the D300 is a life-saver in this respect; I expect this observation will only become more true as camera technology improves. I suspect Nikon planned this all along.
2. The difference between f/2.8 and f/4.5 is substantial. For the longest time, I kept using my trusty 18-70mm f/3.5-4.5 lens, because I felt sure that I wouldn't benefit very much from the extra 1/3 to 4/3 stops that the fixed f/2.8 lens has to offer. I was wrong.
I primarily use this lens indoors, and for basic portrait work. For these settings, it is exemplary; my only regret is that this lens may put my 50mm f/1.4 out of business. That would be a sad development.
Another area where this lens shines is quasi-macro work. With a reproduction ratio slightly better than 1:4, you get respectably close to small subjects, and have beautifully out-of-focus backgrounds at f/2.8 and 70mm. Shots of single flowers at close range against an interesting background, for example, turn out quite nicely.
I'm very much looking forward to using this lens for the next decade or two (or more). DX digital, FX digital, film-- whatever your game is, if you need a lens that covers this range, I don't think you will find any better than this for quite some time.
jet-j-3230-5-inch-by-8-inch-1-2-horsepower-115-volt-single-phase-horizontal-wet-bandsaw
electrolux-eiflw55hiw-27-washer-island-white
warn-86260-vr12000-12-000-lb-winch
pentair-011013-intelliflo-vs-3050-high-performance-pool-pump
avanti-wc681bg2-24-freestanding-wine-cooler-166-bottle-capacity
saniflo-023-sanicompact-48-one-piece-toilet-with-macerator-built-into-the-base-white
kohler-k-2955-4-33-traverse-top-and-basin-lavatory-with-4-centers-mexican-sand
honeywell-5500e-6037-5-500-watt-389cc-ohv-portable-gas-powered-generator-with-electric-start
generac-5940-gp6500-8-000-watt-389cc-ohv-portable-gas-powered-generator
stack-on-elite-e-059-sb-c-executive-fire-safe-with-combination-lock-4-shelves-matte-black-silver
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simpson-powershot-ps4240s-4-200-psi-honda-gx390-commercial-gas-powered-heavy-duty-pressure-washer
port-a-cool-pac2kcyc01-cyclone-3000-portable-evaporative-cooling-unit-with-700-square-foot-cooling-capacity-black
Sunday
Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens
VR - This lens has Nikon's VR vibration reduction system. It is very good. Although not the upgraded VR implementation later introduced as VRII, this lens' VR does seem to offer subjectively improved VR performance than some early iterations of the VR technology, such as that found on the 70-200mm VRI and 80-400mm VR lenses; and it also seems to me to be a step more advanced than the VR found on some of the lower-cost lenses, notably the 55-200mm and 18-105mm VR lenses. As to VR itself, any variety, the secret is long-since out: it's a revelation. Don't even consider buying a lens in this range without VR unless you have a specialized use in mind that doesn't require it. That might include tripod-only use or sports photography. VR makes a lens like this easily hand-holdable in normal lighting conditions, and hand-holdable in low light with some care. That by itself is a revolutionary improvement in the accessibility of telephoto photography to photographers at every level, and also to the quality of the resulting images. Anybody who grew up using non-VR telephoto lenses knows you're almost always on the margins of camera shake when using them, often having to chuck three out of every four photos to get one good one. VR cures that completely.
Focusing - Fast and accurate. Nikon's top-level pro AF-S lenses have exceedingly quick, snappy focusing, and the 70-300 doesn't quite match them, but it is generally only one full step behind - a fraction longer to lock on; still quick. It is much quicker than the other consumer-grade AF-S lenses and also faster than the older screw-drive pro lenses, even on a pro body (with a couple of exceptions, perhaps). Out beyond 200mm it does drop off, as less light is reaching the focus sensors and the acuity has dropped a bit. For tracking motion out beyond 200mm, it will not come close to matching the pro lenses. In these cases I find the quickest way to lock focus is to back off the zoom, lock on, and then re-zoom. Cumbersome, unfortunately.
Bokeh - Quite good with this lens, a surprising deviation from most of Nikon's consumer lenses. It is better to my eyes than that of any of the lenses mentioned below except the 70-200 VR and possibly the 300mm lenses. Bokeh is important in a lens like this: at 300mm, even with an f/5.6 max aperture, it's easy to generate a great deal of background blur. That produced by the 70-300 VR is smooth, not likely to be distracting and adds to my confidence in recommending it vs. more expensive, professional zooms.
Vs. 80-400mm VR - The 80-400 VR is a great lens, but it is a full technological generation behind the 70-300 VR. It is a pro-level lens in terms of feel and build quality, and it is nicer to use. It produces beautiful, sharp, contrasty images that are in general difficult to tell apart from those of the 70-300 VR. When you look closely, the 70-300 is the sharper of the two, by a fair margin. It is also lighter and easier to carry, and much less expensive, and it offers decidedly better AF performance thanks to its very good AF-S focusing system. To my eyes, the 80-400 VR matches the 70-300 VR's excellent, snappy, contrasty color rendition, or at least the difference is too close to call.
LS-10-Linear-PCM-Recorder, LU-21T-Tenor-Ukulele, M-AV40-Powered-Monitor-Speakers, ME-3-EW-headset-EW-microphone, ME-70-Guitar-Multiple-Effects, MKE-400-Shotgun-Microphone, MKS-SS1-Home-Karaoke-System, MPD26-USB-Midi-Pad-Controller, NP11-61-Key-Digital-Piano, NTG2-Shotgun-Microphone, P902-Drum-Pedal, PK-900C-Percussion-Kit-Case, PL-900C-Learning-Center-Case, Pro-PDKM7-7-Microphone-Drum-Kit, Pro-PPHP1599AI-15-Speaker-System, Pro-PWMA230-Powered-PA-System, Pro-PWMA860I-500W-PA-System-Echo, Pro-PWMA930I-System-Echo, PRO88W-R35-Lavalier-System, PRX612M-Powered-Loudspeaker, R16-Multitrack-SD-Recorder-Controller, RC-20XL-Loop-Station, RC-3-Loop-Station-Guitar-Bass, RP255-Modeling-Guitar-Processor, RP5G2-Rokit-G2-Powered-Studio-Monitor,
Focusing - Fast and accurate. Nikon's top-level pro AF-S lenses have exceedingly quick, snappy focusing, and the 70-300 doesn't quite match them, but it is generally only one full step behind - a fraction longer to lock on; still quick. It is much quicker than the other consumer-grade AF-S lenses and also faster than the older screw-drive pro lenses, even on a pro body (with a couple of exceptions, perhaps). Out beyond 200mm it does drop off, as less light is reaching the focus sensors and the acuity has dropped a bit. For tracking motion out beyond 200mm, it will not come close to matching the pro lenses. In these cases I find the quickest way to lock focus is to back off the zoom, lock on, and then re-zoom. Cumbersome, unfortunately.
Bokeh - Quite good with this lens, a surprising deviation from most of Nikon's consumer lenses. It is better to my eyes than that of any of the lenses mentioned below except the 70-200 VR and possibly the 300mm lenses. Bokeh is important in a lens like this: at 300mm, even with an f/5.6 max aperture, it's easy to generate a great deal of background blur. That produced by the 70-300 VR is smooth, not likely to be distracting and adds to my confidence in recommending it vs. more expensive, professional zooms.
Vs. 80-400mm VR - The 80-400 VR is a great lens, but it is a full technological generation behind the 70-300 VR. It is a pro-level lens in terms of feel and build quality, and it is nicer to use. It produces beautiful, sharp, contrasty images that are in general difficult to tell apart from those of the 70-300 VR. When you look closely, the 70-300 is the sharper of the two, by a fair margin. It is also lighter and easier to carry, and much less expensive, and it offers decidedly better AF performance thanks to its very good AF-S focusing system. To my eyes, the 80-400 VR matches the 70-300 VR's excellent, snappy, contrasty color rendition, or at least the difference is too close to call.
LS-10-Linear-PCM-Recorder, LU-21T-Tenor-Ukulele, M-AV40-Powered-Monitor-Speakers, ME-3-EW-headset-EW-microphone, ME-70-Guitar-Multiple-Effects, MKE-400-Shotgun-Microphone, MKS-SS1-Home-Karaoke-System, MPD26-USB-Midi-Pad-Controller, NP11-61-Key-Digital-Piano, NTG2-Shotgun-Microphone, P902-Drum-Pedal, PK-900C-Percussion-Kit-Case, PL-900C-Learning-Center-Case, Pro-PDKM7-7-Microphone-Drum-Kit, Pro-PPHP1599AI-15-Speaker-System, Pro-PWMA230-Powered-PA-System, Pro-PWMA860I-500W-PA-System-Echo, Pro-PWMA930I-System-Echo, PRO88W-R35-Lavalier-System, PRX612M-Powered-Loudspeaker, R16-Multitrack-SD-Recorder-Controller, RC-20XL-Loop-Station, RC-3-Loop-Station-Guitar-Bass, RP255-Modeling-Guitar-Processor, RP5G2-Rokit-G2-Powered-Studio-Monitor,
Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging
Exposure Metering: The three cameras all share the latest 63-zone, dual-layer exposure metering system and 4 metering modes. That means they will all determine the exposure virtually identically and enable you to take properly exposed photos in most every situation, including difficult back-lit scenes. The size of the areas metered for Partial and Spot metering vary slightly between the cameras, but that isn't anything critical.
Autofocus: The T3i shares a similar autofocus system to the 60D, with 9 focus points and three auto focusing modes. However the 9 AF points of the 60D are more sensitive than those of the T3i: all are cross-type in the 60D, only the center is cross-type in the T3i. The 60D autofocus system is much less complex than the sophisticated AF system of the 7D with its 19 AF point system and its additional Zone, Spot, and Expansion focus modes. These various modes address how you want to deal with and group these numerous AF points. Plus the custom settings of the 7D allow one to customize how the AF system works - how it tracks subjects, how it deals with objects that come between you and your initial subject, how quickly it responds to these changes of possible subjects that are at different distances from you, etc. However, if you are not an avid sports photographer, a wildlife shooter, or someone who understands, needs, and will use the elaborate features of the 7D AF system, then this shouldn't sway you.
Construction: As you can probably figure out from the prices, each camera is not built the same. The T3i has relatively strong construction of a stainless steel frame with polycarbonate body. The 60D has a stronger and lighter aluminum frame and polycarbonate body, but not as strong as the 7D's magnesium alloy construction. The 60D also has some amount of weather sealing - more than the T3i, less than the 7D. But for most users, including even those using the camera daily or in travel situations, the construction of any of these cameras is far more than good enough, strong enough, and durable enough.
ISO: Since they all share a very similar sensor, the ISO sensitivity and performance at high ISO settings is virtually the same for these three cameras. But don't take my word for it, don't be swayed by pixel peepers on forums, instead check out the camera sensor tests at dxomark to verify this. As you can see, they all share the exact same overall score, and show very similar performance.
Controls: As with construction, the buttons and controls vary with these cameras. Unlike the T3i, the 60D and 7D have nearly every control an advanced photographer needs on the exterior of the camera and they also have the top LCD panel and rear Quick Control Dial that are not on the T3i. With all the cameras, any controls can also be easily accessed with the Q button and menu or in the other menus on the rear LCD monitor. The top buttons of the 60D set only one setting each, so this is less complicated than the multiple-setting buttons of the 7D. Canon has removed the white balance (WB) button on the 60D that the 7D has, but that isn't a big deal - use the Q Menu. Another change on the 60D is that the Multi-controller has been moved from the thumb joystick like the 7D and 50D and placed in the middle of the rear Quick-control dial. This doesn't change how it functions, and should just be a matter of getting used to the difference. If you plan on using your camera on Auto or Program most of the time, then the controls of the T3i are more than sufficient for your needs. If you work in Av, Tv, or M modes and need quicker and more direct access to your controls and the additional top LCD screen to view and change your current settings, then you need to consider the 60D or 7D over the T3i.
EZ-200-61-Lighted-Keyboard, FA-130-Acoustic-Electric-Guitar, FG700S-Acoustic-Guitar-Bundle, FG700S-Acoustic-Guitar, GB-10-Guitar-Trainer-Recorder, GM527-DVD-CDG-Karaoke-Player, GM6000-Gelato-Maker, GWNC1-7X-Classical-Guitar, GXL2200SP-Studio-Mic-Recording, H2-Handy-Portable-Stereo-Recorder, H2n-Handy-Recorder, H4n-Handy-Digital-Recorder, HFL-200-Flute, HS120B-Portable-PA-System, J8003-Masticating-Juicer-White, Keystation-88ES-Midi-Controller, KP3-Dynamic-Effects-Sampler, KRS-2100-Refrigerated-Beverage-Keg, KSM150PSOB-Mixer-Onyx-Black, KSM500PSSM-Stand-Mixer, LK-100-Lighted-Keyboard,
Autofocus: The T3i shares a similar autofocus system to the 60D, with 9 focus points and three auto focusing modes. However the 9 AF points of the 60D are more sensitive than those of the T3i: all are cross-type in the 60D, only the center is cross-type in the T3i. The 60D autofocus system is much less complex than the sophisticated AF system of the 7D with its 19 AF point system and its additional Zone, Spot, and Expansion focus modes. These various modes address how you want to deal with and group these numerous AF points. Plus the custom settings of the 7D allow one to customize how the AF system works - how it tracks subjects, how it deals with objects that come between you and your initial subject, how quickly it responds to these changes of possible subjects that are at different distances from you, etc. However, if you are not an avid sports photographer, a wildlife shooter, or someone who understands, needs, and will use the elaborate features of the 7D AF system, then this shouldn't sway you.
Construction: As you can probably figure out from the prices, each camera is not built the same. The T3i has relatively strong construction of a stainless steel frame with polycarbonate body. The 60D has a stronger and lighter aluminum frame and polycarbonate body, but not as strong as the 7D's magnesium alloy construction. The 60D also has some amount of weather sealing - more than the T3i, less than the 7D. But for most users, including even those using the camera daily or in travel situations, the construction of any of these cameras is far more than good enough, strong enough, and durable enough.
ISO: Since they all share a very similar sensor, the ISO sensitivity and performance at high ISO settings is virtually the same for these three cameras. But don't take my word for it, don't be swayed by pixel peepers on forums, instead check out the camera sensor tests at dxomark to verify this. As you can see, they all share the exact same overall score, and show very similar performance.
Controls: As with construction, the buttons and controls vary with these cameras. Unlike the T3i, the 60D and 7D have nearly every control an advanced photographer needs on the exterior of the camera and they also have the top LCD panel and rear Quick Control Dial that are not on the T3i. With all the cameras, any controls can also be easily accessed with the Q button and menu or in the other menus on the rear LCD monitor. The top buttons of the 60D set only one setting each, so this is less complicated than the multiple-setting buttons of the 7D. Canon has removed the white balance (WB) button on the 60D that the 7D has, but that isn't a big deal - use the Q Menu. Another change on the 60D is that the Multi-controller has been moved from the thumb joystick like the 7D and 50D and placed in the middle of the rear Quick-control dial. This doesn't change how it functions, and should just be a matter of getting used to the difference. If you plan on using your camera on Auto or Program most of the time, then the controls of the T3i are more than sufficient for your needs. If you work in Av, Tv, or M modes and need quicker and more direct access to your controls and the additional top LCD screen to view and change your current settings, then you need to consider the 60D or 7D over the T3i.
EZ-200-61-Lighted-Keyboard, FA-130-Acoustic-Electric-Guitar, FG700S-Acoustic-Guitar-Bundle, FG700S-Acoustic-Guitar, GB-10-Guitar-Trainer-Recorder, GM527-DVD-CDG-Karaoke-Player, GM6000-Gelato-Maker, GWNC1-7X-Classical-Guitar, GXL2200SP-Studio-Mic-Recording, H2-Handy-Portable-Stereo-Recorder, H2n-Handy-Recorder, H4n-Handy-Digital-Recorder, HFL-200-Flute, HS120B-Portable-PA-System, J8003-Masticating-Juicer-White, Keystation-88ES-Midi-Controller, KP3-Dynamic-Effects-Sampler, KRS-2100-Refrigerated-Beverage-Keg, KSM150PSOB-Mixer-Onyx-Black, KSM500PSSM-Stand-Mixer, LK-100-Lighted-Keyboard,
Sony Cyber-Shot DSC-WX9 16.2 MP Exmor R CMOS Digital Still Camera
I bought this camera to replace my Canon Point & Shoot. I have been buying Canon cameras till this point and like them a lot. But, both my Canon point and shoots went bust after 2 - 3 years. So, I decided to move away from Canon and did an extensive research with a capped budget of 200$. I initially set my eyes on Panasonic ZS7 with the Leica lens, the price of that shot up and so I removed it from my list and continued by search. In my initial research I was avoiding Sony as in the past they only took Memory sticks and those were expensive. But, when I found out that this can take both memory stick and SD card, it came in as a strong option.
I was looking for a camera with good zoom, decent low light performance (so preferably CMOS), good video, brand lens and recent model as I plan to have it for a few years. Finally toss up was between the Canon ELPH 100 HS and this one. Since, I wanted something other than Canon, I chose this Red one to match the red of my JVC camcorder.
So far, I am pretty impressed by the performance of this little one. The menus are neat, the LCD screen is awesome. I have mostly used Intelligent Auto and it works well most of the time. Videos are great and battery life is decent as well. I haven't used 3D (probably would never will) and that was never a factor. Provided companion software is good and does it work without any issues. I just wish the zoom is little more than 5X (10X would have been nice), but you can't have everything at the sub 200 price point.
I preface my review by saying that I am a very amateur photogragher, but may main camera is a Sony Alpha 350 DSLR, which I absolutely love. I have gotten amazing photos with it, but it is bulky, so I wanted a small backup for when I didn't want to carry it around.
I have had the Sony WX9 for about two weeks and it is okay, but not really what I expected. I was being loyal to Sony and liked all of the features in the camera. However, a family member has an old Kodak ultra zoom point and shoot (not sure of the model) that is probably 5 or 6 years old that is just as good and easy to use and it only has 7 MP's.
My issues have been included the focus - it is not quick. If you want to get a quick shot, you need a second or two for the camera to pick up the image. You can't take them quickly - I guess I am spoiled by the DSLR. The recovery time after a picture is slower than I expected as well.
Also in low light conditions, the pictures I took were so so. I have to play with it a bit more to probably get the settings right, but it is a point and shoot and it was in the super auto mode - I thought it would adjust the settings for me.
This camera was also supposed to be a camera for my husband to use when I had the DSLR, but he complains that all of the buttons and controls are too small - so he won't be using it. I will probably end up getting him the upgraded Kodak ultra zoom. I thought about the Sony ultrazoom for me, at first and then for him, but it was too bulky for me and more than I wanted to pay, and after he saw this the WX9 - he doesn't want a Sony - he wants the Kodak.
CLS1110-5-Mile-UHF-Two-Way-Radio, CM-30C-Cube-Monitor-PA, CM40-Microphone-Studio-Package, CTK-2100-61-Key-Personal-Keyboard, CTK-3000-Premium-Pack, CTK-4000-Premium-Keyboard, CTK-5000-61-Key-Digital-Keyboard, D120-US-BK-NE-Automatic-Espresso-Maker, DB90-Dr-Beat-Metronome, DDM4000-DJ-Mixer, DJ-H20-LED-Powered-Water, DP-004-Pocketstudio-Recorder, DP-008-Digital-Portastudio, DR-07MKII-Digital-Recorder, DW-CPPADTS5-Go-Anywhere-Pad-Set, ECMHW2-Bluetooth-Microphone, EP4000-Stereo-Power-Amplifier, EPA150-Portable-PA-System, ESAM3300-Espresso-Coffee-Machine, ESC-105-Full-Size-Classical-Guitar, Et19k-Magic-Sing-Mic-Karaoke-Machine,
I was looking for a camera with good zoom, decent low light performance (so preferably CMOS), good video, brand lens and recent model as I plan to have it for a few years. Finally toss up was between the Canon ELPH 100 HS and this one. Since, I wanted something other than Canon, I chose this Red one to match the red of my JVC camcorder.
So far, I am pretty impressed by the performance of this little one. The menus are neat, the LCD screen is awesome. I have mostly used Intelligent Auto and it works well most of the time. Videos are great and battery life is decent as well. I haven't used 3D (probably would never will) and that was never a factor. Provided companion software is good and does it work without any issues. I just wish the zoom is little more than 5X (10X would have been nice), but you can't have everything at the sub 200 price point.
I preface my review by saying that I am a very amateur photogragher, but may main camera is a Sony Alpha 350 DSLR, which I absolutely love. I have gotten amazing photos with it, but it is bulky, so I wanted a small backup for when I didn't want to carry it around.
I have had the Sony WX9 for about two weeks and it is okay, but not really what I expected. I was being loyal to Sony and liked all of the features in the camera. However, a family member has an old Kodak ultra zoom point and shoot (not sure of the model) that is probably 5 or 6 years old that is just as good and easy to use and it only has 7 MP's.
My issues have been included the focus - it is not quick. If you want to get a quick shot, you need a second or two for the camera to pick up the image. You can't take them quickly - I guess I am spoiled by the DSLR. The recovery time after a picture is slower than I expected as well.
Also in low light conditions, the pictures I took were so so. I have to play with it a bit more to probably get the settings right, but it is a point and shoot and it was in the super auto mode - I thought it would adjust the settings for me.
This camera was also supposed to be a camera for my husband to use when I had the DSLR, but he complains that all of the buttons and controls are too small - so he won't be using it. I will probably end up getting him the upgraded Kodak ultra zoom. I thought about the Sony ultrazoom for me, at first and then for him, but it was too bulky for me and more than I wanted to pay, and after he saw this the WX9 - he doesn't want a Sony - he wants the Kodak.
CLS1110-5-Mile-UHF-Two-Way-Radio, CM-30C-Cube-Monitor-PA, CM40-Microphone-Studio-Package, CTK-2100-61-Key-Personal-Keyboard, CTK-3000-Premium-Pack, CTK-4000-Premium-Keyboard, CTK-5000-61-Key-Digital-Keyboard, D120-US-BK-NE-Automatic-Espresso-Maker, DB90-Dr-Beat-Metronome, DDM4000-DJ-Mixer, DJ-H20-LED-Powered-Water, DP-004-Pocketstudio-Recorder, DP-008-Digital-Portastudio, DR-07MKII-Digital-Recorder, DW-CPPADTS5-Go-Anywhere-Pad-Set, ECMHW2-Bluetooth-Microphone, EP4000-Stereo-Power-Amplifier, EPA150-Portable-PA-System, ESAM3300-Espresso-Coffee-Machine, ESC-105-Full-Size-Classical-Guitar, Et19k-Magic-Sing-Mic-Karaoke-Machine,
Canon LP-E6 Battery Pack for Select Canon Digital SLR Cameras
Great battery, extremely long life between charges. The 5D Mark II compared to my old 20D is a battery juice freak and thankfully Canon produced a battery that could handle this. I bought this as a backup but honestly, I haven't needed it yet. My only complaint, like I've heard from so many others, is the lack of supply for this battery and the price gouging that's taking place because of it. I paid more than was necessary but the assurance of battery backup was worth it.
I only have the battery which came with the camera. Although I would like at least one backup, they are unavailable by reputable sellers. By "reputable," I refer to stores who are only asking the already steep $80 price. Since we don't have that as an option, the few places with the battery in stock are gouging prices. In particular, I am shocked to find 17th Street Photo charging double what this battery should cost. I had been under the impression that they were a reasonable company worth dealing with. Sorry 17th Street Photo, this is not ebay, and if price-gouging is how you do business, you will never have mine.
To be fair, this situation exists because Canon wants $60 for a $30 battery. Genuine Nikon batteries with the same functions and capacity are around $35 and as far as I know there is no problem with counterfeits--it's just not worth bothering. But $60 for an item that costs maybe $5-$10 to produce is just too tempting. The good news is that this battery absolutely will not damage your camera. Why? Well, for starters, it doesn't quite fit. (It's also made from a different kind of plastic, covered in fingerprints, and so on.)
YDP181-Electronic-Piano, YPG-535-88-key-Portable-Keyboard, YPG635-88-Key-Portable-Grand, 325ULT-UHF-Microphone-Package, AE128-5-Acoustic-Electric-Guitar, APC20-Ableton-Controller, APC40-Abelton-Controller, AT2041-Studio-Microphone, AT875R-Short-Shotgun-Microphone, AWM-6032UL-UHF-Microphone-System, B205D-PA-Monitor-Speaker-System, B215XL-Speaker-System, Barista-Express-BES860XL-machine, BB-CEC20WB-Home-Bakery, BCF2000-B-Control-Fader, BJB840XL-Juice-and-Blend, BK2000R-Percussion, BX5a-amplified-Studio, CD-60-Dreadnought-Acoustic-Guitar, CGS103A-Classical-Guitar,
I only have the battery which came with the camera. Although I would like at least one backup, they are unavailable by reputable sellers. By "reputable," I refer to stores who are only asking the already steep $80 price. Since we don't have that as an option, the few places with the battery in stock are gouging prices. In particular, I am shocked to find 17th Street Photo charging double what this battery should cost. I had been under the impression that they were a reasonable company worth dealing with. Sorry 17th Street Photo, this is not ebay, and if price-gouging is how you do business, you will never have mine.
To be fair, this situation exists because Canon wants $60 for a $30 battery. Genuine Nikon batteries with the same functions and capacity are around $35 and as far as I know there is no problem with counterfeits--it's just not worth bothering. But $60 for an item that costs maybe $5-$10 to produce is just too tempting. The good news is that this battery absolutely will not damage your camera. Why? Well, for starters, it doesn't quite fit. (It's also made from a different kind of plastic, covered in fingerprints, and so on.)
YDP181-Electronic-Piano, YPG-535-88-key-Portable-Keyboard, YPG635-88-Key-Portable-Grand, 325ULT-UHF-Microphone-Package, AE128-5-Acoustic-Electric-Guitar, APC20-Ableton-Controller, APC40-Abelton-Controller, AT2041-Studio-Microphone, AT875R-Short-Shotgun-Microphone, AWM-6032UL-UHF-Microphone-System, B205D-PA-Monitor-Speaker-System, B215XL-Speaker-System, Barista-Express-BES860XL-machine, BB-CEC20WB-Home-Bakery, BCF2000-B-Control-Fader, BJB840XL-Juice-and-Blend, BK2000R-Percussion, BX5a-amplified-Studio, CD-60-Dreadnought-Acoustic-Guitar, CGS103A-Classical-Guitar,
Panasonic Lumix DMC-FZ40 14.1 MP Digital Camera
I was in the market for a camera with more user control and wide-angle/zoom capability than a digital compact camera but without the size/bulk characteristic of digital slr cameras. I choose the Panasonic Lumix DMC-FZ40 14.1 MP based on the recommendations of a friend and my own research. I consider myself an average amateur photographer that understands the basic workings of a digital camera. I have used the camera for about 1 month and have taken 100's of pictures. The camera has met my expectations in terms of control of picture taking and quality of images.
If you are considering purchasing a super zoom, I suggest looking at the manufacturers specifications and even downloading a user manual from the manufacturer's site, if available, so you can evaluate the features of the camera and whether it will suit your needs.
Features that I use and like about this camera (these comments are not meant to indicate presence or absence in comparison to other brands of super zooms):
* saves images in JPEG and RAW formats (and even both at the same time). The RAW format allows you to have a greater flexibility in using photo-editing software than JPEG since it contains all the picture information captured by the camera's image sensor.
* information about exposure controls can be shown both on the 3" lcd screen and in the view finder. Seeing information about exposure controls in the view finder is very handy and is especially so on bright sunny days. However the lcd screen is bright enough to be visible in normal daylight situations.
* you have great flexibility in controlling the camera: you can let the camera make all the decisions so you just have to press the button to take the picture or you can opt for a totally manual mode where you set the aperture, shutter speed, sensitivity (iso), white balance, control for camera shake etc...
* flexibility in storing images: uses SD, SDHC, and SDXC memory cards
* 24x optical zoom: from 4.5mm to 106mm. 35mm equivalent for a 4 x 6 picture is from 26mm to 624 mm. This allows nice wide angles to telephoto closeups with good picture quality. This is one of the main reasons for my supplementing my compact digital camera, which had limited wide angle and zoom features, with this camera.
* battery easily lasted all day of picture taking (outdoors in mild temperatures). The manufacturer quotes 580 per charge but I have not taken that many in a day (around 100 or so). However, always a good idea to have a spare battery.
* F stops range from F2.8 to F11 at wide angle and F5.2 to F8.0 at the tele end.
RX1200L-LIGHTWEIGHT-STEREO, S3700-Digital-Media-Turntable, SAS280-Saxophone, SD7PK-Electronic-Drum-Set, SLG110S-Acoustic-Electric-Guitar, SP170-88-Key-Digital-Piano-Black, SP250-Portable-88-Key-Digital-Piano, SSCD-R1-Solid-State-Recorder, STR8150-DJ-Turntable, TKR320MR-Portable-Karaoke, TTM-57SL-Performance-Mixer, UWPV1-Lavalier-Microphone, VCI-300MKII-USB-MIDI-Controller, VCI100-Mk-II-Dj-Controller, VL70M-Acoustic-Tone-Generator, VX3500-Bass-Guitar-Amplifier, WK7500-76-Key-Sensitive-Keyboard, WM847BL-Microphone-System, YAS-23-Saxophone, YDP141-Digital-Piano, YDP161-Digital-Piano,
If you are considering purchasing a super zoom, I suggest looking at the manufacturers specifications and even downloading a user manual from the manufacturer's site, if available, so you can evaluate the features of the camera and whether it will suit your needs.
Features that I use and like about this camera (these comments are not meant to indicate presence or absence in comparison to other brands of super zooms):
* saves images in JPEG and RAW formats (and even both at the same time). The RAW format allows you to have a greater flexibility in using photo-editing software than JPEG since it contains all the picture information captured by the camera's image sensor.
* information about exposure controls can be shown both on the 3" lcd screen and in the view finder. Seeing information about exposure controls in the view finder is very handy and is especially so on bright sunny days. However the lcd screen is bright enough to be visible in normal daylight situations.
* you have great flexibility in controlling the camera: you can let the camera make all the decisions so you just have to press the button to take the picture or you can opt for a totally manual mode where you set the aperture, shutter speed, sensitivity (iso), white balance, control for camera shake etc...
* flexibility in storing images: uses SD, SDHC, and SDXC memory cards
* 24x optical zoom: from 4.5mm to 106mm. 35mm equivalent for a 4 x 6 picture is from 26mm to 624 mm. This allows nice wide angles to telephoto closeups with good picture quality. This is one of the main reasons for my supplementing my compact digital camera, which had limited wide angle and zoom features, with this camera.
* battery easily lasted all day of picture taking (outdoors in mild temperatures). The manufacturer quotes 580 per charge but I have not taken that many in a day (around 100 or so). However, always a good idea to have a spare battery.
* F stops range from F2.8 to F11 at wide angle and F5.2 to F8.0 at the tele end.
RX1200L-LIGHTWEIGHT-STEREO, S3700-Digital-Media-Turntable, SAS280-Saxophone, SD7PK-Electronic-Drum-Set, SLG110S-Acoustic-Electric-Guitar, SP170-88-Key-Digital-Piano-Black, SP250-Portable-88-Key-Digital-Piano, SSCD-R1-Solid-State-Recorder, STR8150-DJ-Turntable, TKR320MR-Portable-Karaoke, TTM-57SL-Performance-Mixer, UWPV1-Lavalier-Microphone, VCI-300MKII-USB-MIDI-Controller, VCI100-Mk-II-Dj-Controller, VL70M-Acoustic-Tone-Generator, VX3500-Bass-Guitar-Amplifier, WK7500-76-Key-Sensitive-Keyboard, WM847BL-Microphone-System, YAS-23-Saxophone, YDP141-Digital-Piano, YDP161-Digital-Piano,
Panasonic Lumix DMC-ZS8 14.1 MP Digital Camera
I bought this camera as an upgrade to my Panasonic TZ5, which I absolutely loved. It took amazing pictures for two years, and I had become a fan of Panasonic cameras after also having used, albeit briefly, cameras like the ZS3 and the ZS7. The ZS8 looked much better on paper than all of its predecessors, but I was very disappointed with it in several respects, which ultimately made me return it.
The first thing that I didn't like about it when I opened the package was its lightness. Don't get me wrong - lightness is usually a good trait in a point and shoot - but this camera just felt cheap, at some points hollow, almost. I also noticed how the materials used in its construction felt much cheaper and plasticky than those used in my TZ5.
Upon turning it on, I was in for another bad surprise. Knowing that I was spoiled by my TZ5's 460k screen and my iPhone 4's high resolution display, I had set low expectations for the ZS8's 230k one, but it still seemed much fuzzier than I thought it would be and I found it hard to use to tell whether the camera had focused properly. I suppose you will not notice this if your previous camera had a 230k display, or if you had never used the iPhone 4's display, but for anyone who had, a 230k display these days on cameras is a no-no.
But I could live with these shortcomings, and if the camera took good pictures, I was decided to keep it. A 20 minute photo shoot outside was a complete turn-off, however. The pictures looked worse than on my TZ5, but I thought it was only due to the ZS8's low resolution display, but even after loading them up on my computer, the ZS8's pictures looked worse and only sometimes of the same quality as those from my TZ5. I will admit, though, that I was pleasantly surprised by the zoom and the MEGA O.I.S stabilization on the ZS8: Even at the maximum zoom, it was very easy to take clear, shake-free photos. Other than this redeemable quality, I didn't like the pictures from the ZS8 at all. They had a lot of noise, were rather dull, had low dynamic range, and in general, although much larger in pixel count, not at all of better quality than those from the TZ5.
NX25P-Active-Speaker, P-85-Contemporary-Digital-Piano, P155-Contemporary-Piano, P3002D-Bass Drum Pedal***, P95-Digital-Piano, P95B-Digital-Piano-Black, PG1288-PG185-Vocal-Lavalier, PG188-PG185-Dual-Lavalier, PG288-PG58-Dual-Vocal, PG288-PG58-Wireless-System, PMD660-Hand-Held-Recorder, PMD661-Portable-SD-Recorder, PPA210-DJ-Turntable, Pro-Series-SVT7PRO-Bass-Amplifier, PRX615M-1x15-Loudspeaker, PX-130-88-Key-Digital-Stage-Piano, PX-330-88-Key-Digital-Stage-Piano, PX830-Privia-Digital-Piano-Black, R24-Digital-Multitrack-Recorder, RH450-Bass-Amp-Head, RMX1850HD-Power-Amplifier,
The first thing that I didn't like about it when I opened the package was its lightness. Don't get me wrong - lightness is usually a good trait in a point and shoot - but this camera just felt cheap, at some points hollow, almost. I also noticed how the materials used in its construction felt much cheaper and plasticky than those used in my TZ5.
Upon turning it on, I was in for another bad surprise. Knowing that I was spoiled by my TZ5's 460k screen and my iPhone 4's high resolution display, I had set low expectations for the ZS8's 230k one, but it still seemed much fuzzier than I thought it would be and I found it hard to use to tell whether the camera had focused properly. I suppose you will not notice this if your previous camera had a 230k display, or if you had never used the iPhone 4's display, but for anyone who had, a 230k display these days on cameras is a no-no.
But I could live with these shortcomings, and if the camera took good pictures, I was decided to keep it. A 20 minute photo shoot outside was a complete turn-off, however. The pictures looked worse than on my TZ5, but I thought it was only due to the ZS8's low resolution display, but even after loading them up on my computer, the ZS8's pictures looked worse and only sometimes of the same quality as those from my TZ5. I will admit, though, that I was pleasantly surprised by the zoom and the MEGA O.I.S stabilization on the ZS8: Even at the maximum zoom, it was very easy to take clear, shake-free photos. Other than this redeemable quality, I didn't like the pictures from the ZS8 at all. They had a lot of noise, were rather dull, had low dynamic range, and in general, although much larger in pixel count, not at all of better quality than those from the TZ5.
NX25P-Active-Speaker, P-85-Contemporary-Digital-Piano, P155-Contemporary-Piano, P3002D-Bass Drum Pedal***, P95-Digital-Piano, P95B-Digital-Piano-Black, PG1288-PG185-Vocal-Lavalier, PG188-PG185-Dual-Lavalier, PG288-PG58-Dual-Vocal, PG288-PG58-Wireless-System, PMD660-Hand-Held-Recorder, PMD661-Portable-SD-Recorder, PPA210-DJ-Turntable, Pro-Series-SVT7PRO-Bass-Amplifier, PRX615M-1x15-Loudspeaker, PX-130-88-Key-Digital-Stage-Piano, PX-330-88-Key-Digital-Stage-Piano, PX830-Privia-Digital-Piano-Black, R24-Digital-Multitrack-Recorder, RH450-Bass-Amp-Head, RMX1850HD-Power-Amplifier,
Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras
I bought this lens about six months after replacing my 20 year old SLR with the Canon Rebel G. I didn't think photography could get any better. It did.
The first day I used this lens, I was shooting photos of a biplane plummeting at an airshow. Having been used to my older equipment, I thought, "No way can I hold 300mm still enough, but what the heck, film is cheap." I was wrong. That photo was crystal clear, and instead of a tiny blur in the midst of sky, I have a very clear image of the plane filling the frame.
The lens has been responsible for getting me up close in many places since, most recently capturing Al Gore and his entourage on the pilot house of the riverboat that travelled the Mississippi the day after the convention. If you are looking for a versatile lens that gives great results under many conditions, this is it. It really is hard to take a bad photo when using it.
I see a lot of bad reviews on this lens. I honestly can't see why. If I can capture a squirrel in tall grass 50 feet away, hand held, overcast and in the resulting image I can count the hairs on the squirrels face. The hairs are sub-pixel sized. In other words the lens out performed the sensor. There isn't any thing wrong with the lens. The auto focus selected the subject of the image, not the grass and quickly focused it. Even at full zoom the aperture was sufficient to shoot hand held at ISO400, under cloudy skies. So it's not image stabilized ... Boo Hoo! It also doesn't cost as much as a stabilized lens. You can buy a pretty nice tripod for the price difference between this lens and a stabilized one. Can you get better glass for less, maybe. You can also spend a lot more money and not do better. So unless you are a pro shooting in fast paced environments this lens will do fine. If you are a pro why are you looking at an entry level lens?
Something else to consider is that the USM, IS version of this lens is really the same glass in a fancier can and three times the price. If you want the bells and whistles go for it. The best value is here in the cheap seats.
EW100ENGG3A-Wireless-System, EW112PG3A-Wireless-Kit, FZGS1316WDLX-Flight-Zone, FZH725F-B31-Drum-Kit-Jet-Black, G5120-Hollowbody-Guitar-Orange, GT-10B-Multi-Effects-Pedal, HD1221-Definition-Loudspeaker, KMS105-Microphone-Black, LH-300-VS-Acoustic-Guitar, LP350-Digital-Piano-White, MG206C-USB-Mixer, MIXDECKX110-Universal-Dj-System, MOTIF-XS8-88-Key-Music-Synth, MOX6-61-Key-Music-Production, MPC-2500-Music-Production-Center, MPC-500-MIDI-Production-System, MPC1000-Music-Production-Center, MPK61-Keyboard-Controller, NS6-4-Channel-Digital-DJ-Controller, NS7FX-Motorized-Dj-Software, NTG3-Condenser-Shotgun-Microphone,
The first day I used this lens, I was shooting photos of a biplane plummeting at an airshow. Having been used to my older equipment, I thought, "No way can I hold 300mm still enough, but what the heck, film is cheap." I was wrong. That photo was crystal clear, and instead of a tiny blur in the midst of sky, I have a very clear image of the plane filling the frame.
The lens has been responsible for getting me up close in many places since, most recently capturing Al Gore and his entourage on the pilot house of the riverboat that travelled the Mississippi the day after the convention. If you are looking for a versatile lens that gives great results under many conditions, this is it. It really is hard to take a bad photo when using it.
I see a lot of bad reviews on this lens. I honestly can't see why. If I can capture a squirrel in tall grass 50 feet away, hand held, overcast and in the resulting image I can count the hairs on the squirrels face. The hairs are sub-pixel sized. In other words the lens out performed the sensor. There isn't any thing wrong with the lens. The auto focus selected the subject of the image, not the grass and quickly focused it. Even at full zoom the aperture was sufficient to shoot hand held at ISO400, under cloudy skies. So it's not image stabilized ... Boo Hoo! It also doesn't cost as much as a stabilized lens. You can buy a pretty nice tripod for the price difference between this lens and a stabilized one. Can you get better glass for less, maybe. You can also spend a lot more money and not do better. So unless you are a pro shooting in fast paced environments this lens will do fine. If you are a pro why are you looking at an entry level lens?
Something else to consider is that the USM, IS version of this lens is really the same glass in a fancier can and three times the price. If you want the bells and whistles go for it. The best value is here in the cheap seats.
EW100ENGG3A-Wireless-System, EW112PG3A-Wireless-Kit, FZGS1316WDLX-Flight-Zone, FZH725F-B31-Drum-Kit-Jet-Black, G5120-Hollowbody-Guitar-Orange, GT-10B-Multi-Effects-Pedal, HD1221-Definition-Loudspeaker, KMS105-Microphone-Black, LH-300-VS-Acoustic-Guitar, LP350-Digital-Piano-White, MG206C-USB-Mixer, MIXDECKX110-Universal-Dj-System, MOTIF-XS8-88-Key-Music-Synth, MOX6-61-Key-Music-Production, MPC-2500-Music-Production-Center, MPC-500-MIDI-Production-System, MPC1000-Music-Production-Center, MPK61-Keyboard-Controller, NS6-4-Channel-Digital-DJ-Controller, NS7FX-Motorized-Dj-Software, NTG3-Condenser-Shotgun-Microphone,
Sony Cyber-Shot DSC-HX100V 16.2 MP Exmor R CMOS Digital Still Camera
I finally got this camera when it became available here in Montreal, Canada and picked it up yesterday. It's pretty obvious even after one day, how superior it is to any other camera in this sensor size class. I am posting this review here because the camera is not even showing up in my searches on Amazon.ca...
Firstly, the videos are amazingly smooth at 60 frames per second PROGRESSIVE (or 60p; not interlaced like some competitors) at full HD (1920x1080). I have tried panning quickly (quicker than one would normally pan if one doesn't want to tire the eyes of the audience) and filming cars - both of which produced no choppiness as it did with the Canon PowerShot SX220 HS (which I returned due to its choppy videos at only 24p). I have tried low-light photos indoors with tungsten or halogen lighting and at night with just the street lights and car headlights and both come out quite beautiful with a minimal of graininess. This graininess is actually only evident if you enlarge the photo to full size or more than, I estimate, a 21x28 inch print size. And these would have to be taken with 1600 ISO or 3200 ISO in order to be "bothered" by the grain. When I view the photos on my 24 inch wide-screen Samsung monitor and also on my 40 inch Sony LCD HDTV and they look formidably sharp and beautifully exposed, with good colours and pixel sharpness/definition.
I would like to point out that I am a former owner of a DSLR - the Canon EOS 50D, which I sold, to change my photo habits for a more affordable camera which could also do excellent full HD videos. I have also done SLR photography as an amateur since 1981 and even took some photography courses in a degree program, so I'm quite familiar with camera features and how to take photos. This Sony HX100V hits the spot RIGHT ON! It has an astounding lens range from 27mm - 810mm at 4:3 photo format and today, I took a video of some pigeons grazing on a field at maximum zoom, hand held and they were as sharp as at any other lens zoom setting, and with very little camera shake and this is amazing for me!
The GPS is also pretty good at picking up signals. It had problems when I was in the balcony of my solid concrete and brick apartment (9 floors) which has other high buildings around it and a high-voltage hydro transformer next to it, but after walking about 100 feet to the other side of my building on the sidewalk of my street, the GPS picked up the signal faultlessly and kept it.
The flash is also quite versatile. It has a "slow synchro" setting which makes the background and the subject much more natural-looking and more evenly illuminated compared to the normal direct flash setting.
CDJ-900-Tabletop-Multi-Player, DB-112-Bass-Cabinet, DDJ-S1-DJ-Controller, DDJ-T1-DJ-Controller, DG-455-Acoustic-Guitar, DGX-530-Keyboard, DGX640C-Digital-Piano-Cherry, DGX640W-Digital-Piano-Walnut, DJM-700K-Pro-Dj-Mixer-Black, DJM-900NXS-Professional-DJ-Mixer, DM6-Kit-Performance-Electronic-Drumset, DM7-drum-kit, DM8-Electronic-Drumset, EC5-Keyboard, EON-515-Powered-Speaker, EON515XT-Powered-PA-Speaker, EPA900-Ultra-Portable-PA-System, ESX1SD-Electribe-Sampler, Eurodesk-SX3242FX-Low-Noise-Design, Europort-EPA300-Portable-PA-System, EW-112P-G3-B-omni-directional,
Firstly, the videos are amazingly smooth at 60 frames per second PROGRESSIVE (or 60p; not interlaced like some competitors) at full HD (1920x1080). I have tried panning quickly (quicker than one would normally pan if one doesn't want to tire the eyes of the audience) and filming cars - both of which produced no choppiness as it did with the Canon PowerShot SX220 HS (which I returned due to its choppy videos at only 24p). I have tried low-light photos indoors with tungsten or halogen lighting and at night with just the street lights and car headlights and both come out quite beautiful with a minimal of graininess. This graininess is actually only evident if you enlarge the photo to full size or more than, I estimate, a 21x28 inch print size. And these would have to be taken with 1600 ISO or 3200 ISO in order to be "bothered" by the grain. When I view the photos on my 24 inch wide-screen Samsung monitor and also on my 40 inch Sony LCD HDTV and they look formidably sharp and beautifully exposed, with good colours and pixel sharpness/definition.
I would like to point out that I am a former owner of a DSLR - the Canon EOS 50D, which I sold, to change my photo habits for a more affordable camera which could also do excellent full HD videos. I have also done SLR photography as an amateur since 1981 and even took some photography courses in a degree program, so I'm quite familiar with camera features and how to take photos. This Sony HX100V hits the spot RIGHT ON! It has an astounding lens range from 27mm - 810mm at 4:3 photo format and today, I took a video of some pigeons grazing on a field at maximum zoom, hand held and they were as sharp as at any other lens zoom setting, and with very little camera shake and this is amazing for me!
The GPS is also pretty good at picking up signals. It had problems when I was in the balcony of my solid concrete and brick apartment (9 floors) which has other high buildings around it and a high-voltage hydro transformer next to it, but after walking about 100 feet to the other side of my building on the sidewalk of my street, the GPS picked up the signal faultlessly and kept it.
The flash is also quite versatile. It has a "slow synchro" setting which makes the background and the subject much more natural-looking and more evenly illuminated compared to the normal direct flash setting.
CDJ-900-Tabletop-Multi-Player, DB-112-Bass-Cabinet, DDJ-S1-DJ-Controller, DDJ-T1-DJ-Controller, DG-455-Acoustic-Guitar, DGX-530-Keyboard, DGX640C-Digital-Piano-Cherry, DGX640W-Digital-Piano-Walnut, DJM-700K-Pro-Dj-Mixer-Black, DJM-900NXS-Professional-DJ-Mixer, DM6-Kit-Performance-Electronic-Drumset, DM7-drum-kit, DM8-Electronic-Drumset, EC5-Keyboard, EON-515-Powered-Speaker, EON515XT-Powered-PA-Speaker, EPA900-Ultra-Portable-PA-System, ESX1SD-Electribe-Sampler, Eurodesk-SX3242FX-Low-Noise-Design, Europort-EPA300-Portable-PA-System, EW-112P-G3-B-omni-directional,
Nikon COOLPIX S9100 12.1 MP CMOS Digital Camera
The S9100 is the perfect size and feel for a pocket camera. It looks to be all plastic, but the type of plastic and the quality of the build makes it look and feel like the best small cameras made these days. Startup time is about one second, and going from minimum zoom to maximum zoom takes about two seconds. Image quality is very good for a camera with a 1/2.33-type sensor, but certain very fine details like hair, or a bird's feathers in a low-contrast part of the bird's body may be smeared somewhat. This is apparently caused by the noise reduction software in the camera, which can't be turned down or off. On the other hand, my Canon SX-210 (which I replaced with the S9100) does not reduce noise much if at all, and the end result is a compromise between the two systems. I think the Nikon S9100 wins in that compromise though, since the images on average look better than the SX-210's. Pocket cameras that have much larger sensors (and consequently much less zoom) can often produce a better image with less noise, but you have to give up the long zoom, or put up with a much larger camera.
In my tests of the S9100's videos, using the highest quality 1080x1920 (1080p) setting, I did not see any clear superiority over the 720p videos from the Canon SX-210, or the Panasonic ZS3 that I also own. The ZS3's and SX-210's videos use about 3mb per second of filespace for the 720p movies, yet the Nikon S9100 uses only about 1.8mb per second to record 1080p movies at highest quality, day or night. Even if the S9100's video software is much more efficient, it doesn't account for such a disparity. 1080p is 2.25 times bigger than 720p in resolution, so I would expect 6.75mb per second if using the same video codec as the 720p cameras, or perhaps 3.5mb per second if the S9100's codec is twice as efficient. In any case, I don't see a major problem with video quality on the S9100 - where I have a problem is holding the camera steady when shooting movies at maximum zoom. Still photos are not much of a problem in good light, because the shutter speed will be high enough and the image stabilizer will help out. So I would recommend using a tripod, or bracing the camera against a solid object when shooting videos, especially at maximum zoom. If you use a tripod, or place the camera on a solid object so that there is no camera movement at all, you have to remember to turn the image stabilizer off or the video will not be sharp and clear.
X1222USB-Premium-Mixer, YEP-201-Euphonium-Lacquer, YPG-235-76-key-Keyboard, YPT-220-61-Key-Personal-Keyboard, YPT-320-61-Key-Personal-Keyboard, 2002XL-Contoured-Tweed-Look, 6-M13-Stompbox-Modeler, 8020B-Monitor-Speaker, A7X-Powered-Studio-Monitor, AC15HW1-Guitar-Combo-Amp, AH-ZED-R16-Firewire-Recording, AP220-Celviano-Digital-Piano, AP420-Celviano-Digital-Piano, AP620-Celviano-Digital-Piano, AT4053B-Hypercardioid-Microphone, ATW-3131b-Lavaliere, B1800D-Subwoofer, Boss-GT-10-Guitar-Multi-Effect-Pedal, C414-XLII-Studio-Microphone, CDJ-2000-Professional-Multi-Player, CDJ-350-Digital-Multi-Player,
In my tests of the S9100's videos, using the highest quality 1080x1920 (1080p) setting, I did not see any clear superiority over the 720p videos from the Canon SX-210, or the Panasonic ZS3 that I also own. The ZS3's and SX-210's videos use about 3mb per second of filespace for the 720p movies, yet the Nikon S9100 uses only about 1.8mb per second to record 1080p movies at highest quality, day or night. Even if the S9100's video software is much more efficient, it doesn't account for such a disparity. 1080p is 2.25 times bigger than 720p in resolution, so I would expect 6.75mb per second if using the same video codec as the 720p cameras, or perhaps 3.5mb per second if the S9100's codec is twice as efficient. In any case, I don't see a major problem with video quality on the S9100 - where I have a problem is holding the camera steady when shooting movies at maximum zoom. Still photos are not much of a problem in good light, because the shutter speed will be high enough and the image stabilizer will help out. So I would recommend using a tripod, or bracing the camera against a solid object when shooting videos, especially at maximum zoom. If you use a tripod, or place the camera on a solid object so that there is no camera movement at all, you have to remember to turn the image stabilizer off or the video will not be sharp and clear.
X1222USB-Premium-Mixer, YEP-201-Euphonium-Lacquer, YPG-235-76-key-Keyboard, YPT-220-61-Key-Personal-Keyboard, YPT-320-61-Key-Personal-Keyboard, 2002XL-Contoured-Tweed-Look, 6-M13-Stompbox-Modeler, 8020B-Monitor-Speaker, A7X-Powered-Studio-Monitor, AC15HW1-Guitar-Combo-Amp, AH-ZED-R16-Firewire-Recording, AP220-Celviano-Digital-Piano, AP420-Celviano-Digital-Piano, AP620-Celviano-Digital-Piano, AT4053B-Hypercardioid-Microphone, ATW-3131b-Lavaliere, B1800D-Subwoofer, Boss-GT-10-Guitar-Multi-Effect-Pedal, C414-XLII-Studio-Microphone, CDJ-2000-Professional-Multi-Player, CDJ-350-Digital-Multi-Player,
Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens
I've had my 70-200 VR II for 2 weeks now and am in LOVE with it! I needed it for my 7 year old son's basketball games :) I know, "need" may not be totally true, but since I plan on keeping this through my 4 children's childhoods I believe it is money well spent! This lens has been an absolute joy to use, especially compared to the dark and noisy pictures that I got with the Nikkor 70-300 VR model that I had for a week before returning! This lens is WELL WORTH the extra money and extra weight! Since I shoot with a D90, I'm also glad that the reach is reduced on the close subjects as it helps avoid the need of switching to a wider angle lens when the action comes in a little closer. The only problem that I currently have with this lens is that I never want to put it down!
Simply the best lens I've had the chance to use./ Great VR and ability to capture light means better low light shots: I managed to take night shots at ISO 160, 200mm and 1/10th of a second, handheld. I have simply never seen anything like this before.2/ Improved optics mean cleaner shots: distortion is pretty much inexistent, lines remain almost perfectly straight even on the edges. I use a DX body so can't speak for FX bodies, but on my camera there is no vignetting nor soft corner issues at F/2.8. Tests have seen mention that it's greatly improved on FX lenses compared to the previous model.finally, the sharpness of this lens is mind blowing: it is probably one of the sharpest lenses ever made.
3/ It works superbly with the TC 1.7 converter if you're looking for a great 340mm lens (not so much with the 2.0 one, be warned).
S80-Alto-Sax-Mouthpiece, SAC01UPAK-USB-Microphone, SML-390-Karaoke-System, SPK-275-Student-Bell-Kit, SR18-Drum-Machine, SVS-10LS-Supreme-Water-Oven, SX2442FX-Ultra-Low-Noise, TB-621-20-Total-Blender-Black, TB-631-20-Blender-Red, TM-325B-Celtic-Octave-Mandolin-Black, TS-808-Tube-Screamer-Pro, US-144MKII-Audio-midi, US-PSR-E323-61-Key-Keyboard, US35030-Firewire-Audio-Interface, US71010-Keyboard, Vert-Hd-Vrt350-Juicer, VHF-3300-Microphone-System, WK-200-76-Key-Personal-Keyboard, WK-500-76-Key-Keyboard, WWX-ET50LQ-Saxophone-Lacquer
Simply the best lens I've had the chance to use./ Great VR and ability to capture light means better low light shots: I managed to take night shots at ISO 160, 200mm and 1/10th of a second, handheld. I have simply never seen anything like this before.2/ Improved optics mean cleaner shots: distortion is pretty much inexistent, lines remain almost perfectly straight even on the edges. I use a DX body so can't speak for FX bodies, but on my camera there is no vignetting nor soft corner issues at F/2.8. Tests have seen mention that it's greatly improved on FX lenses compared to the previous model.finally, the sharpness of this lens is mind blowing: it is probably one of the sharpest lenses ever made.
3/ It works superbly with the TC 1.7 converter if you're looking for a great 340mm lens (not so much with the 2.0 one, be warned).
S80-Alto-Sax-Mouthpiece, SAC01UPAK-USB-Microphone, SML-390-Karaoke-System, SPK-275-Student-Bell-Kit, SR18-Drum-Machine, SVS-10LS-Supreme-Water-Oven, SX2442FX-Ultra-Low-Noise, TB-621-20-Total-Blender-Black, TB-631-20-Blender-Red, TM-325B-Celtic-Octave-Mandolin-Black, TS-808-Tube-Screamer-Pro, US-144MKII-Audio-midi, US-PSR-E323-61-Key-Keyboard, US35030-Firewire-Audio-Interface, US71010-Keyboard, Vert-Hd-Vrt350-Juicer, VHF-3300-Microphone-System, WK-200-76-Key-Personal-Keyboard, WK-500-76-Key-Keyboard, WWX-ET50LQ-Saxophone-Lacquer
Wednesday
Fujifilm X100 12.3 MP APS-C CMOS EXR Digital Camera
Fujifilm's decision to equip the X100 with a fixed non-interchangeable lens has allowed it to make the camera and lens smaller, and to add several features unique to the X100. This setup dispense with the need to use a focal plane shutter so unlike a dSLR where the shutter is found in the body, the shutter of the X100 is found in its lens. The combination of a quiet leaf shutter on the lens and the absence of a mirror-slapping noise means that it is possible for me to shoot the X100 very discretely even in a quiet room. Even continuous shooting with the X100 generates little noise. The shutter sound of the X100 shooting continuously is unobtrusive unlike the loud staccato clatter of the dSLR.
Another feature the fixed lens arrangement allowed is for Fujifilm to install a built-in 3-stops neutral density filter in the X100. I wished this was button activated but its fairly easy to access it from the menu. Once activated, I have a choice of either using a slower shutter speed or to shoot with the aperture wide-open.
The X100 can simulate several colored, B&W and sepia films. The colored setting are named after the Fuji Films. The standard setting is Provia. For landscape (and sometimes even for people), I like using the Velvia for its rich saturated look. Though one can choose the Vivid on the Nikon D3100, I find the Velvia look on the X100 more pleasing, specially when viewed on the computer. The Astia is intended for use with soft-tone palette and yields a less-saturated look. So I took several solo and group shots in the diffused light in the late afternoon with everyone wearing light pastel and earthy colors. The Astia setting yielded a dreamy old film look which I find very pleasing.
The shutter is adjusted using a dedicated top knob beside the shutter release button while the aperture is adjusted using the aperture ring on the lens. The controls work very well though the adjustment is always in increments of one stop. This is one area where the dSLR may provide greater flexibility in that it allows the easy adjustment in increment of 1/3 of 1/2 stop. It is possible to adjust the aperture and shutter speed of the X100 in 1/3 increments but it takes a whole lot longer to do this with the X100. It is by far faster to just adjust the exposure compensation when one is shooting in aperture priority mode. Because of the greater effort, I simply adopted and made my exposure adjustment (shutter speed and aperture) in one-stop increment adjustments.
ScanSnap-S1500-Scanner, SLV-D380P-DVD-VHS-Player, Sony-BRAVIA-BX-300-LCD-TV, SP840-Projector, Speedlite-580EX-II-Flash, SR-HD1250US-Blu-Ray-Disc-Recorder, SR-HD1500US-Blu-Ray, TC-L42U22-LCD-HDTV, TC-L42U25-LCD-HDTV, TC-P42C2-Plasma-HDTV, TC-P42S2-Plasma-HDTV, TC-P65S2-Plasma-HDTV, TH1020-DLP-1080P-XGA-Projector, TH1060P-DLP-projector, TW610ST-WXGA-3100-Projector,
Another feature the fixed lens arrangement allowed is for Fujifilm to install a built-in 3-stops neutral density filter in the X100. I wished this was button activated but its fairly easy to access it from the menu. Once activated, I have a choice of either using a slower shutter speed or to shoot with the aperture wide-open.
The X100 can simulate several colored, B&W and sepia films. The colored setting are named after the Fuji Films. The standard setting is Provia. For landscape (and sometimes even for people), I like using the Velvia for its rich saturated look. Though one can choose the Vivid on the Nikon D3100, I find the Velvia look on the X100 more pleasing, specially when viewed on the computer. The Astia is intended for use with soft-tone palette and yields a less-saturated look. So I took several solo and group shots in the diffused light in the late afternoon with everyone wearing light pastel and earthy colors. The Astia setting yielded a dreamy old film look which I find very pleasing.
The shutter is adjusted using a dedicated top knob beside the shutter release button while the aperture is adjusted using the aperture ring on the lens. The controls work very well though the adjustment is always in increments of one stop. This is one area where the dSLR may provide greater flexibility in that it allows the easy adjustment in increment of 1/3 of 1/2 stop. It is possible to adjust the aperture and shutter speed of the X100 in 1/3 increments but it takes a whole lot longer to do this with the X100. It is by far faster to just adjust the exposure compensation when one is shooting in aperture priority mode. Because of the greater effort, I simply adopted and made my exposure adjustment (shutter speed and aperture) in one-stop increment adjustments.
ScanSnap-S1500-Scanner, SLV-D380P-DVD-VHS-Player, Sony-BRAVIA-BX-300-LCD-TV, SP840-Projector, Speedlite-580EX-II-Flash, SR-HD1250US-Blu-Ray-Disc-Recorder, SR-HD1500US-Blu-Ray, TC-L42U22-LCD-HDTV, TC-L42U25-LCD-HDTV, TC-P42C2-Plasma-HDTV, TC-P42S2-Plasma-HDTV, TC-P65S2-Plasma-HDTV, TH1020-DLP-1080P-XGA-Projector, TH1060P-DLP-projector, TW610ST-WXGA-3100-Projector,
Sony Cyber-Shot DSC-H70 16.1 MP Digital Still Camera
My good Canon Power Shot A2000is broke down after my daughter took it to the beach and sand got into it. I did some research looking for a replacement and finally decided to give Sony a try after doing some comparison shots in the Imaging-Resource web site. The shots taken by the Sony H70 fared really well compared to shots taken by the more expensive Canon Power Shot ELPH 500 HS. I went ahead and bought the Sony DSC-H70 with the blue finish. Right after the first picture taken with this camera I was concerned. Light management was terrible and the picture itself looked bad, not sharp at all. I took more than 300 pictures playing around with all the possible settings in different locations -all in daylight- and I have to tell you, I am so very disappointed with this camera. I am unforgiving with a camera that takes mediocre pictures. I am all for quality pictures. I have been a photographer for well over 40 years and I know a good picture. Call it trained eye or whatever. The best way to describe pictures taken by this camera is that they seem to be processed by a software that makes them look like a painting. I am sorry to say it, but I don't recommend this camera to anyone looking for great quality, sharp pictures. My old Canon A2000is and my current Canon A640 takes wonderfully sharp, natural pictures that put this Sony to shame. Today, I am returning the Sony H70 even though I'm going to lose around 30 dollars for the restocking fee gimmick of Frys Electronics. One last word, it seems to me that the Imaging Resource web site it is not a site to trust when deciding for a camera.
ProBook-4530s-XU015UT-Notebook, PT-AE4000U-Home-Theater-Projector, PT-LB90NTU-LCD-XGA-3500-Lumens, PTLB3U-XGA-Resolution, RX-V371BL-Home-Theater, S1500M-Instant-PDF-Sheet-Fed-Scanner, SA-I9100-Unlocked-Phone, Satellite-L735-S3210-LED-Laptop, Satellite-L755-S5271-Laptop, Satellite-L755D-S5279-Laptop, Satellite-P755-S5260-Laptop, Satellite-P755-S5270-LED-Laptop, Satellite-P755-S5274-Laptop, SB-3230HD-LCD-HDTV-Gray, SB-900-AF-Speedlight-Flash,
ProBook-4530s-XU015UT-Notebook, PT-AE4000U-Home-Theater-Projector, PT-LB90NTU-LCD-XGA-3500-Lumens, PTLB3U-XGA-Resolution, RX-V371BL-Home-Theater, S1500M-Instant-PDF-Sheet-Fed-Scanner, SA-I9100-Unlocked-Phone, Satellite-L735-S3210-LED-Laptop, Satellite-L755-S5271-Laptop, Satellite-L755D-S5279-Laptop, Satellite-P755-S5260-Laptop, Satellite-P755-S5270-LED-Laptop, Satellite-P755-S5274-Laptop, SB-3230HD-LCD-HDTV-Gray, SB-900-AF-Speedlight-Flash,
Canon EOS 5D Mark II 21.1MP Full Frame CMOS Digital SLR Camera (Body Only)
I shot 35mm film ages ago, but stopped when the cost of purchasing film and processing fees became prohibitive. I have been a photographer in one form or another for nearly 20 years. I decided that I definitely wanted to go digital, but was not happy with any of the cropped sensor bodies available at the time (early 2000's). When the 1Ds and 5D models first became available, I drooled, but couldn't justify the amount of money. So I waited. Along came the 5D Mark II (or as we say in the software industry, version 2.0) The price was lower than the original 5D and the quality and speed were even better then the now-three year old model. I saved my pennies and nickels for a while and finally purchased one!
From the moment I picked up the demonstrator model in the store, I knew this was the camera for me. Well balanced, large view-finder, and *gasp* video! I'm not much of a videographer, but seriously, taking HD clips with a prime lens on a full-frame sensor is just insane!
The 5d Mark II is a very sturdy pro camera. The original 5d was the camera of choice for many full-time National Geographic photographers because of its outstanding image quality coupled with a small portable body. For the Mark II, Canon has added weather sealing, a host of dust reduction features, an expanded ISO range, and increased resolution (no small feat), along with a handful of other features. ISO 5000 on the Mark II is comparable to ISO 1600 on the original 5d, in my opinion. This camera is a workhorse for anyone who needs pro camera features coupled with portability. Ideal for hikers or the traveling photographer. Black dot issue? 100% fixed with a recent firmware update from Canon. This camera is, for me, more intuitive to use than the D700 and the pro features are worth the extra money over the EOS 50d. An 8gb flashcard will hold about 250 RAW photos.
PN43D490-Plasma-HDTV, PN50C7000-3D-Plasma-HDTV, PN51D490-3D-Plasma-HDTV, PN51D550-3D-Plasma-HDTV, PN58C8000-3D-Plasma-HDTV, PN59D550-3D-Plasma-HDTV, PN64D550-3D-Plasma-HDTV, Portege-R835-P56x-LED-Laptop, PR5022-DLP-Projector, PRJHD198-Projector, PRO260X-Multimedia-Projector, PRO360W-DLP-Multimedia-Projector, PRO8400-Projector, PRO8450W-WXGA-DLP-Projector, PRO8500-XGA-DLP-Projector
From the moment I picked up the demonstrator model in the store, I knew this was the camera for me. Well balanced, large view-finder, and *gasp* video! I'm not much of a videographer, but seriously, taking HD clips with a prime lens on a full-frame sensor is just insane!
The 5d Mark II is a very sturdy pro camera. The original 5d was the camera of choice for many full-time National Geographic photographers because of its outstanding image quality coupled with a small portable body. For the Mark II, Canon has added weather sealing, a host of dust reduction features, an expanded ISO range, and increased resolution (no small feat), along with a handful of other features. ISO 5000 on the Mark II is comparable to ISO 1600 on the original 5d, in my opinion. This camera is a workhorse for anyone who needs pro camera features coupled with portability. Ideal for hikers or the traveling photographer. Black dot issue? 100% fixed with a recent firmware update from Canon. This camera is, for me, more intuitive to use than the D700 and the pro features are worth the extra money over the EOS 50d. An 8gb flashcard will hold about 250 RAW photos.
PN43D490-Plasma-HDTV, PN50C7000-3D-Plasma-HDTV, PN51D490-3D-Plasma-HDTV, PN51D550-3D-Plasma-HDTV, PN58C8000-3D-Plasma-HDTV, PN59D550-3D-Plasma-HDTV, PN64D550-3D-Plasma-HDTV, Portege-R835-P56x-LED-Laptop, PR5022-DLP-Projector, PRJHD198-Projector, PRO260X-Multimedia-Projector, PRO360W-DLP-Multimedia-Projector, PRO8400-Projector, PRO8450W-WXGA-DLP-Projector, PRO8500-XGA-DLP-Projector
Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras
As a professional photographer, I cannot praise this lens enough: it brings me closer to my subjects, and connects my photographs with viewers from the level of intimacy it imparts. Why? When you fall in love with someone, they are right in front of you, and the rest of the world blurs away. That's how this lens makes me see: as though I am right in front of, and in love with, what I'm viewing.
I take lots of pictures of food, people, and farms. (See the samples I've uploaded here.) This lens has a quality of gentleness in it that is unsurpassed. Because it's fast, it's great for low lighting, and brings a romantic quality to beautiful food in restaurants. It's also the perfect portrait lens, seeing people much as we ourselves do, with no distortion, only kindness. Yes, I am ascribing emotional qualities to an inanimate object, but it doesn't exist in a vaccum. It makes me a better photographer, by showing me how to see.
Personally I would opt for the 50mm f1.4 Nikkor lens, but if you are tight on a budget and don't need the additional speed, then this 50mm lens would be ideal for you. I have owned several 50mm f2 and f1.8 Nikkor lenses which were all very capable performers and this autofocus version of a Nikon Series E 50mm f1.8 lens is no exception. It is without question still sharper and contrastier than a zoom lens in the equivalent 50mm focal length, since it has substantially less barrel distortion than any zoom lens. Even if you own a zoom lens covering the 50mm focal length, I would still recommend acquiring either this lens or the 50mm f1.4 lens since either would be fine normal perspective portrait lenses for photographying friends and family. If you work primarily in digital photography, then this lens wouldn't be a normal perspective lens in the 45mm to 55mm range, but instead, offer a slight telephoto perspective at a 75mm focal length; this would yield more of a head and shoulders portrait and may be more pleasing to the eye than the normal perspective taken with a 50mm lens.
P221W-BK-SV-LCD-TFT, Pavilion-dv4-4030us-Notebook, Pavilion-dv6-6110us-Notebook, Pavilion-dv6-6140us-Notebook, Pavilion-g6-1b70us-Notebook, PG-D40W3D, PGD2870W-DLP-Proj, PJD5133-SVGA-DLP-Projector, PJD5223-XGA-DLP-Projector, PJD5352-XGA-DLP-Projector, PJD5523w-WXGA-DLP-Projector, PJD6251-XGA-DLP-Projector, PJD7583wi-DLP-Projector, PJL7211-XGA-LCD-Projector, PLCXU106-Projector, PN43D490-3D-Plasma-HDTV
I take lots of pictures of food, people, and farms. (See the samples I've uploaded here.) This lens has a quality of gentleness in it that is unsurpassed. Because it's fast, it's great for low lighting, and brings a romantic quality to beautiful food in restaurants. It's also the perfect portrait lens, seeing people much as we ourselves do, with no distortion, only kindness. Yes, I am ascribing emotional qualities to an inanimate object, but it doesn't exist in a vaccum. It makes me a better photographer, by showing me how to see.
Personally I would opt for the 50mm f1.4 Nikkor lens, but if you are tight on a budget and don't need the additional speed, then this 50mm lens would be ideal for you. I have owned several 50mm f2 and f1.8 Nikkor lenses which were all very capable performers and this autofocus version of a Nikon Series E 50mm f1.8 lens is no exception. It is without question still sharper and contrastier than a zoom lens in the equivalent 50mm focal length, since it has substantially less barrel distortion than any zoom lens. Even if you own a zoom lens covering the 50mm focal length, I would still recommend acquiring either this lens or the 50mm f1.4 lens since either would be fine normal perspective portrait lenses for photographying friends and family. If you work primarily in digital photography, then this lens wouldn't be a normal perspective lens in the 45mm to 55mm range, but instead, offer a slight telephoto perspective at a 75mm focal length; this would yield more of a head and shoulders portrait and may be more pleasing to the eye than the normal perspective taken with a 50mm lens.
P221W-BK-SV-LCD-TFT, Pavilion-dv4-4030us-Notebook, Pavilion-dv6-6110us-Notebook, Pavilion-dv6-6140us-Notebook, Pavilion-g6-1b70us-Notebook, PG-D40W3D, PGD2870W-DLP-Proj, PJD5133-SVGA-DLP-Projector, PJD5223-XGA-DLP-Projector, PJD5352-XGA-DLP-Projector, PJD5523w-WXGA-DLP-Projector, PJD6251-XGA-DLP-Projector, PJD7583wi-DLP-Projector, PJL7211-XGA-LCD-Projector, PLCXU106-Projector, PN43D490-3D-Plasma-HDTV
GoPro HD Helmet HERO Camera
The GoPro Hero is everything you need in a casual outdoor video camera. It's the video equivalent of the common pocket digital point-and-shoot, and even better, it has all the fixins' you need to attach it almost anywhere. It's not fancy, so there isn't an endless list of modes and options you have to choose. Basically, you charge it up, turn it on, and start filming.
Since I bought it to film on the ski slopes, I chose the "helmet" version that comes with a variety of helmet mounts. It took me no more than 10 minutes to set up. The mount fit my helmet almost perfectly and is still solidly attached despite my friends' repeated attempts to knock the whole thing off with the bar on the lift chair. The battery charged in about 5 hours using USB power from a computer. You can buy a dedicated USB charger for it for about $25.
The first filming results are great. The picture is clear and well-focused. Even though I was using the waterproof door, I could easily hear sounds close to me. The housing didn't leak at all, and it easily resisted the normal bangs and bumps one gets while skiing.
You may have noticed that this camera doesn't come with a SD card. This is a minor downside, but keep in mind that this is the case with nearly all cameras these days. It's actually a plus; you don't get stuck with the manufacturer's choice of SD card. You can buy SD cards in sizes ranging from 2 GB to 32 GB, so you can choose how much space you need and how much you want to pay. It's still cheaper than having to buy film! I bought a top-of-the-line Kingston SD card from Amazon for about $65, which probably gives me more video time than the battery will last!
This video camera is an excellent choice for skiing, surfing, mountain biking, and similar sports. Remember that it is *not* (and I emphasize this) for snorkeling or scuba diving. The manufacturer doesn't claim that it is, but don't be fooled into thinking that the waterproof housing means you can take it to the bottom of your pool. I'm an underwater photographer, so I can tell you with assurance that this camera won't hold up to depths of more than about 5 feet. You can spray it with a garden hose or bury it in a foot of snow but that's about it.
Also, you should invest in some silica gel packs. You can buy them directly from GoPro, and maybe from other places. They make thin ones that will fit into the waterproof case. They prevent excess moisture from building up inside the housing. Underwater photographers use them all the time. Getting drops of water into the housing is inevitable unless you're in the desert (in which case you get grains of sand), and silica gel will slurp them up quick. This protects both the electronics and the camera case itself.
For the money, this is a wonderful toy. It really captures the excitement and experience of skiing. Open up your creative side, too! Start filming your friends and coming up with funny stuff to post to YouTube!
MacBook-Air-MC969LL-A-Laptop, MacBook-Pro-MC700LL-Laptop, MacBook-Pro-MC721LL-A-Laptop, MacBook-Pro-MC724LL-A-Laptop, MacBook-Pro-MC725LL-A-Laptop, MC816LL-A-Desktop, ML500-WXGA-Mobile-LED-Projector, Movie-60-CX-Home-Theater, MR-1500T3-Recorder, MS612ST-DLP-Projector, MW512-DLP-Projector, MX511-DLP-3D-Projector, NEX-7-24-3-MP-Camera, NP4100-DLP-Projector, NP43-VGA-DLP-Projector,
Since I bought it to film on the ski slopes, I chose the "helmet" version that comes with a variety of helmet mounts. It took me no more than 10 minutes to set up. The mount fit my helmet almost perfectly and is still solidly attached despite my friends' repeated attempts to knock the whole thing off with the bar on the lift chair. The battery charged in about 5 hours using USB power from a computer. You can buy a dedicated USB charger for it for about $25.
The first filming results are great. The picture is clear and well-focused. Even though I was using the waterproof door, I could easily hear sounds close to me. The housing didn't leak at all, and it easily resisted the normal bangs and bumps one gets while skiing.
You may have noticed that this camera doesn't come with a SD card. This is a minor downside, but keep in mind that this is the case with nearly all cameras these days. It's actually a plus; you don't get stuck with the manufacturer's choice of SD card. You can buy SD cards in sizes ranging from 2 GB to 32 GB, so you can choose how much space you need and how much you want to pay. It's still cheaper than having to buy film! I bought a top-of-the-line Kingston SD card from Amazon for about $65, which probably gives me more video time than the battery will last!
This video camera is an excellent choice for skiing, surfing, mountain biking, and similar sports. Remember that it is *not* (and I emphasize this) for snorkeling or scuba diving. The manufacturer doesn't claim that it is, but don't be fooled into thinking that the waterproof housing means you can take it to the bottom of your pool. I'm an underwater photographer, so I can tell you with assurance that this camera won't hold up to depths of more than about 5 feet. You can spray it with a garden hose or bury it in a foot of snow but that's about it.
Also, you should invest in some silica gel packs. You can buy them directly from GoPro, and maybe from other places. They make thin ones that will fit into the waterproof case. They prevent excess moisture from building up inside the housing. Underwater photographers use them all the time. Getting drops of water into the housing is inevitable unless you're in the desert (in which case you get grains of sand), and silica gel will slurp them up quick. This protects both the electronics and the camera case itself.
For the money, this is a wonderful toy. It really captures the excitement and experience of skiing. Open up your creative side, too! Start filming your friends and coming up with funny stuff to post to YouTube!
MacBook-Air-MC969LL-A-Laptop, MacBook-Pro-MC700LL-Laptop, MacBook-Pro-MC721LL-A-Laptop, MacBook-Pro-MC724LL-A-Laptop, MacBook-Pro-MC725LL-A-Laptop, MC816LL-A-Desktop, ML500-WXGA-Mobile-LED-Projector, Movie-60-CX-Home-Theater, MR-1500T3-Recorder, MS612ST-DLP-Projector, MW512-DLP-Projector, MX511-DLP-3D-Projector, NEX-7-24-3-MP-Camera, NP4100-DLP-Projector, NP43-VGA-DLP-Projector,
Foscam FI8918W Wireless/Wired Pan & Tilt IP/Network Camera
I'll make this short and to the point. I'm using this camera with OS X 10.6.6 and it works... to an extent. The camera has a lot of features for the money. Unfortunately, however, to take advantage of all those features you really need to use Internet Explorer as most features require ActiveX. The ability to link up multiple cameras, to hear sound from the internal mic, and setup per user accounts are all really nice features, but can only be taken advantage of via Internet Explorer and ActiveX.
About the only thing you can do with this camera in a non-IE browser is view video, which works well and serves my purpose as I just want to monitor my 2 yr old daughter at night in her bedroom. It's really ashame though that in this era of multiple browsers that a majority of this camera's features are hampered by its dependency on Internet Explorer/ActiveX.
Just like the title says this item is not a GENUINE FOSCAM item. What does this mean? It means your getting a cheap knockoff with NO support from foscam. I returned this item after finding out it was fake when the item had a poor setup procedure and foscam would not help out. I also found out that the item claims to be the newest model however the internals are the old model. I purchased a GENUINE model from foscam for $35.00 more than this one. Cheaper is not always better. I am very disappointed with Amazon that they would allow a merchant to sell this item. I don't have a problem with the merchant selling the product just don't advertise that it is a FOSCAM item when it is NOT.
LT-40164-LED-LCD-HDTV, LT-46265-LED-CD-HDTV, LT42P510-LCD-TV, M370NV-LED-LCD-HDTV, M410HD-DLP-Projector, M421VT-LED-LCD-HDTV, M470NV-LED-LCD-HDTV, M470SV-LCD-HDTV, M470VT-LED-LCD-HDTV, M550NV-LED-LCD-HDTV, M550SV-LED-LCD-HDTV, Mac-Mini-MC815LL-A-Desktop, Mac-Mini-MC936LL-A, MacBook-Air-MC504LL-A-13-Laptop, MacBook-Air-MC968LL-A-Laptop
About the only thing you can do with this camera in a non-IE browser is view video, which works well and serves my purpose as I just want to monitor my 2 yr old daughter at night in her bedroom. It's really ashame though that in this era of multiple browsers that a majority of this camera's features are hampered by its dependency on Internet Explorer/ActiveX.
Just like the title says this item is not a GENUINE FOSCAM item. What does this mean? It means your getting a cheap knockoff with NO support from foscam. I returned this item after finding out it was fake when the item had a poor setup procedure and foscam would not help out. I also found out that the item claims to be the newest model however the internals are the old model. I purchased a GENUINE model from foscam for $35.00 more than this one. Cheaper is not always better. I am very disappointed with Amazon that they would allow a merchant to sell this item. I don't have a problem with the merchant selling the product just don't advertise that it is a FOSCAM item when it is NOT.
LT-40164-LED-LCD-HDTV, LT-46265-LED-CD-HDTV, LT42P510-LCD-TV, M370NV-LED-LCD-HDTV, M410HD-DLP-Projector, M421VT-LED-LCD-HDTV, M470NV-LED-LCD-HDTV, M470SV-LCD-HDTV, M470VT-LED-LCD-HDTV, M550NV-LED-LCD-HDTV, M550SV-LED-LCD-HDTV, Mac-Mini-MC815LL-A-Desktop, Mac-Mini-MC936LL-A, MacBook-Air-MC504LL-A-13-Laptop, MacBook-Air-MC968LL-A-Laptop
Canon EF 70-200mm f/2.8L II IS USM Telephoto Zoom Lens for Canon SLR Cameras
WOW is all I can say. After getting over that I spent so much on a lens, this new machine is absolutely amazing. The image quality is top notch. 100% crops can be printed large and I can see every detail. I was in Miami and took some pictures of the big hotels, and was wondering what the names were. I looked at some of the pictures, zoomed in, and saw everything. Even small signs hundreds and hundreds of feet away. The IS adds a new feeling of confidence. No longer do you have to worry about shaking a tiny bit and the shot being out of focus or a bit blurry. Canon has really created an astounding piece of technology surpassing others(Nikon) in the lens market. The build quality, as expected from an L series lens, is made to withstand extreme conditions. The zoom ring is large and easy to use. The buttons for different IS and af/mf are easy to use/see. The new focusing distance allows you to get closer to your subjects, and can get quite close if some cropping is done. The Af is also excellent, and focuses very fast even in low light. Now, price... yes... I recommend thinking about this purchase for a while. 2500 - as of now, is a lot to spend, but if you have the money and really really want it, I highly recommend it. The pouch that it comes with is very nice and the hood is easy to put on and is a better material than other hoods. It does not scratch easily like my 24-70 f/2.8L lens hood does. At all apertures, this thing is sharp. If you are an IQ aficionado, this lens is quite a big step up from Mark 1 especially at f/2.8. For me, sharpness is my big thing, so I wanted the best out there. I did not want to step back in terms of technology and get the first generation of the lens even if it is still very good. In a few years if you decide that you want to sell the lens or change to something else, I can assure you that this will retain its resale value very well. I doubt Canon will be upgrading this in the next 5 years, so the sharpness and awesome Af will pay off in the coming days, months, and years to come.
All in all, the new 70-200 is quite a stunning lens which will continue to be one of or the best in Canon's lineup of pro lenses. If you want it and can afford it without selling your house, I would get it haha but as always, research extensively and weigh your options before buying something at these price levels.
LC-60LE820UN-LED-LCD-HDTV, LC40LE835U-3D-LED-LCD-HDTV, LC46LE835U-3D-LED-LCD-HDTV, LC60E78UN-LCD-HDTV, LC60LE830U-LED-LCD-HDTV, LD-4255VX-LED-HDTV-Black, LG-50PZ950-Plasma-HDTV, LN32C550-LCD-HDTV, LN37C550-LCD-HDTV-Black, LN40C550-LCD-HDTV, LN46B630-LCD-HDTV, LN46C630-LCD-HDTV, LN46C650-LCD-HDTV, LN46C750-3D-LCD-HDTV, LN46D630-LCD-HDTV
All in all, the new 70-200 is quite a stunning lens which will continue to be one of or the best in Canon's lineup of pro lenses. If you want it and can afford it without selling your house, I would get it haha but as always, research extensively and weigh your options before buying something at these price levels.
LC-60LE820UN-LED-LCD-HDTV, LC40LE835U-3D-LED-LCD-HDTV, LC46LE835U-3D-LED-LCD-HDTV, LC60E78UN-LCD-HDTV, LC60LE830U-LED-LCD-HDTV, LD-4255VX-LED-HDTV-Black, LG-50PZ950-Plasma-HDTV, LN32C550-LCD-HDTV, LN37C550-LCD-HDTV-Black, LN40C550-LCD-HDTV, LN46B630-LCD-HDTV, LN46C630-LCD-HDTV, LN46C650-LCD-HDTV, LN46C750-3D-LCD-HDTV, LN46D630-LCD-HDTV
Nikon 7072 Lens Pen Cleaning System
I bought a lens pen 7 years ago and it was time for a new one. I use it often but should tell folks not to touch the brush with your fingers for fear of contaminating the bristles with oil. The bristles are very soft and a natural reaction is to feel them. This pen is another must have item for your camera bag!
The retractable brush is OK, but the "cleaning tip" is just a tiny disc (about the size of a paper-punch hole) of soft cloth, mounted on a rubber tip. It did clean the lens reasonably well, but I would think it would get dirty pretty quickly, and there is no way to clean it or replace it. And in my case, I won't care, since it fell off after a few uses (yes, I was treating it gently and not using any solvents).think there are much better choices available, unless all you want is the retractable brush.
I don't know why a certain reviewer is unhappy because it doesn't clean his binocular eyepieces! It's made to clean camera lenses, not tiny binocular eyepieces, and it does a remarkable job when used properly. I have had one for over two years and its still going strong. I highly reccomend it. In fact, I'm ordering another one.
Inspiron-i17R-6121DBK-Laptop, iPad-2-MC769LL-A-Tablet, iPad-2-MC770LL-A-Tablet, iPad-2-MC775LL-A-Tablet, iPad-2-MC979LL-A-Tablet, JLC42BC3000-LCD-TV, K53E-B1-Entertainment-Laptop, L32BD-304-HDTV, L42H961-LCD-HDTV, L75-A91-LaserVue-HDTV, L75-A94-Projection-TV, LA32B450-LCD-TV, La40b530-LCD-Tv, LC-52LE820UN-LED-LCD-HDTV, LC-52LE920UN-LCD-HDTV
The retractable brush is OK, but the "cleaning tip" is just a tiny disc (about the size of a paper-punch hole) of soft cloth, mounted on a rubber tip. It did clean the lens reasonably well, but I would think it would get dirty pretty quickly, and there is no way to clean it or replace it. And in my case, I won't care, since it fell off after a few uses (yes, I was treating it gently and not using any solvents).think there are much better choices available, unless all you want is the retractable brush.
I don't know why a certain reviewer is unhappy because it doesn't clean his binocular eyepieces! It's made to clean camera lenses, not tiny binocular eyepieces, and it does a remarkable job when used properly. I have had one for over two years and its still going strong. I highly reccomend it. In fact, I'm ordering another one.
Inspiron-i17R-6121DBK-Laptop, iPad-2-MC769LL-A-Tablet, iPad-2-MC770LL-A-Tablet, iPad-2-MC775LL-A-Tablet, iPad-2-MC979LL-A-Tablet, JLC42BC3000-LCD-TV, K53E-B1-Entertainment-Laptop, L32BD-304-HDTV, L42H961-LCD-HDTV, L75-A91-LaserVue-HDTV, L75-A94-Projection-TV, LA32B450-LCD-TV, La40b530-LCD-Tv, LC-52LE820UN-LED-LCD-HDTV, LC-52LE920UN-LCD-HDTV
Canon 2400 SLR Gadget Bag for EOS SLR Cameras
When I was looking for a camera/gear bag, I first checked the usual suspects: Lowepro, Tamrac, etc. They had the product I was looking for; however, at a price that was out of my budget. I then decided to check our Canon's. To my surprise and delight they had exactly what I was looking for: something semi-hard, protective, weather-proof and within my tight budget. I ended up deciding for getting couple of these guys and am nothing but satisfied. This bag is spacious and exactly as advertised.
If has configurable inner dividers so you can customize how it fits your precious equipment. Very easy te get things in and out of, and it can pack a lot! I usually carry my camera with a 28-135 lens attached, two other lenses, batteries, a few filters, couple of lense's hoods and a few memory cards. It all fits and everyting stays in place. In short, a superb value. If you're looking for an inexpensive camera/gear bag, this is the one to get!
The description of the capacity is fairly accurate. I can tightly fit in one Digital Rebel+18-55 zoom, one 50-200 zoom, one 10-22 zoom, one 50 prime, and one flash. The camera body barely fits the space. Overall, it is a good bag, but I wish that it is slightly bigger to get things in and out more easily.
iMac-MC813LL-A-Desktop, IN1100-Mobile-DLP-Projector, IN1102-DLP-Projector, IN146-2700-DLP-Projector, IN1501-DLP-Projector, IN1503-DLP-Projectors, IN2114-DLP-Projector, IN2116-DLP-Projector, IN3114-DLP-Projector, IN3116-DLP-Projector, In3916-Interactive-WXGA, Infinia-42LV5500-LED-HDTV, INFINIA-47LE8500-LED-Slim-LCD-HDTV, Infinia-60PZ950-Plasma-HDTV, Inspiron-i17R-1713-Laptop
If has configurable inner dividers so you can customize how it fits your precious equipment. Very easy te get things in and out of, and it can pack a lot! I usually carry my camera with a 28-135 lens attached, two other lenses, batteries, a few filters, couple of lense's hoods and a few memory cards. It all fits and everyting stays in place. In short, a superb value. If you're looking for an inexpensive camera/gear bag, this is the one to get!
The description of the capacity is fairly accurate. I can tightly fit in one Digital Rebel+18-55 zoom, one 50-200 zoom, one 10-22 zoom, one 50 prime, and one flash. The camera body barely fits the space. Overall, it is a good bag, but I wish that it is slightly bigger to get things in and out more easily.
iMac-MC813LL-A-Desktop, IN1100-Mobile-DLP-Projector, IN1102-DLP-Projector, IN146-2700-DLP-Projector, IN1501-DLP-Projector, IN1503-DLP-Projectors, IN2114-DLP-Projector, IN2116-DLP-Projector, IN3114-DLP-Projector, IN3116-DLP-Projector, In3916-Interactive-WXGA, Infinia-42LV5500-LED-HDTV, INFINIA-47LE8500-LED-Slim-LCD-HDTV, Infinia-60PZ950-Plasma-HDTV, Inspiron-i17R-1713-Laptop
Canon PowerShot A495 10.0 MP Digital Camera
Sorry to say, this is my 1st negative review of a product on Amazon and I hate to do it, however I would not be able to recommend this camera model to anyone! (I have had Canon Powershots in the past that I loved, too.)
I bought this camera and immediately fell in love. It was easy to use, took great macro and regular shots, and was just an overall wonderful camera! That was until the batteries started going out after about taking 50 shots with it. No flash was being used at all, it was only in macro mode. And this happened repeatedly no matter what batteries I used. I have at least 4 different sets of rechargeable AA's that I have used successfully with my other camera. They would last forever in that one, but not in this camera! You get about 50 shots and that's it. Basically this makes this camera completely USELESS for me. I have an online business that requires me to take many shots to weed out the best ones to use - and needless to say after going through 4 different sets of batteries within 15 minutes time after time has made me furious. I am going to return this camera today, garbage!!
HD20-Home-Theater-Projector, HD65-Plus-720P-DLP-Projector, HDR-CX160-Handycam-Camcorder, HDR-XR160-Handycam-Camcorder, HE-XVZ17000-Projector, HL40XSL2-LCD-HDTV, HL55XZK22-LCD-HDTV, HT-S9300THX-Home-Theater, HW-C770BS-Home-Theater, HX300G-Projector, HX301G-Projector-Silver, HX350T-Projector-Black, i9100-Galaxy-S-II-Unlocked-GSM-Smartphone, Iconia-Tab-W500-BZ467-Tablet, iMac-MC309LL-A-Desktop,
I bought this camera and immediately fell in love. It was easy to use, took great macro and regular shots, and was just an overall wonderful camera! That was until the batteries started going out after about taking 50 shots with it. No flash was being used at all, it was only in macro mode. And this happened repeatedly no matter what batteries I used. I have at least 4 different sets of rechargeable AA's that I have used successfully with my other camera. They would last forever in that one, but not in this camera! You get about 50 shots and that's it. Basically this makes this camera completely USELESS for me. I have an online business that requires me to take many shots to weed out the best ones to use - and needless to say after going through 4 different sets of batteries within 15 minutes time after time has made me furious. I am going to return this camera today, garbage!!
HD20-Home-Theater-Projector, HD65-Plus-720P-DLP-Projector, HDR-CX160-Handycam-Camcorder, HDR-XR160-Handycam-Camcorder, HE-XVZ17000-Projector, HL40XSL2-LCD-HDTV, HL55XZK22-LCD-HDTV, HT-S9300THX-Home-Theater, HW-C770BS-Home-Theater, HX300G-Projector, HX301G-Projector-Silver, HX350T-Projector-Black, i9100-Galaxy-S-II-Unlocked-GSM-Smartphone, Iconia-Tab-W500-BZ467-Tablet, iMac-MC309LL-A-Desktop,
Sunday
Canon SX30IS 14.1MP Digital Camera with 35x Wide Angle Optical Image Stabilized Zoom and 2.7 Inch Wide LCD
I sold my Panasonic DMC-FZ18 to a birder in India last spring, thinking that I would simply order one of the next generation of ultra-zooms. Thanks to Amazons 30 day return policy I tried the Fujifilm HS10, Nikon P100, Panasonic FZ100 and now the Canon SX30IS. Its my first day...but it looks like the Canon is a keeper (finally). From a birders perspective....focusing was a constant struggle for the Nikon & Fuji...they only took good pictures in ideal conditions...and even then images were soft (blurry detail). The Panasonic did a great job of staying in focus...but is shots were too soft for my eye. This Canon is doing an amazing job of focusing, it ignored the foliage in the way & picked out a crow perched in a tree enjoying an apple, more than a 1000 feet distant at 35X. My 35X shot of a Golden crowned sparrow ...in mediocre light... was really detailed and the 35X shot of a Black Phoebe in late afternoon light was tops as well. The image stabilization is excellent!...and it feels so much lighter than the Fuji...comparable with the Panasonic FZ100. To be continued.
I used a Nikon E8800 (8mp, 10x zoom) for 5 years as my primary digital P&S. It was satisfactory in every way, although newer cameras with large LCD displays, longer zoom, faster shutter response and lots of additional electronic features did tempt me to switch. But the images produced by the 8800 were so consistent and noticeably better than what my buddies produced with a range of other P&S cameras that the temptation to 'upgrade' was easy to suppress. Sadly a few months ago the 8800 became unusable because of Nikon's dreaded "System Error" which has defied repair; so a replacement became unavoidable.
My style of photography demands a good zoom and I tried several cameras (Lumix FZ-28, Pentax X-90, Finepix S-1800, etc) and found the quality of images were well below the clarity of the 8800. Basically it comes down to the size of the sensor, which is a much under-rated factor as all manufacturers and sellers try to convince us that the mega-pixel count is the ultimate metric for resolution - WRONG. For instance the 8800 has a 8mp CCD 1/1.5" sensor (which translates to an area of 0.58sq cm and a pixel density of approx 12mp/sqcm ). All the cameras mentioned above use a sensor size 1/2.33" (0.28 sq cm), ie less than half the size of the E8800 and, due to the increase in megapixel count, with a 400% increase in pixel density ! No wonder the images aren't as sharp, especially when enlarged to full size on a computer screen. The Canon G-11 has a larger sensor but its optical zoom tops out at 5x, hence it did not appeal to me.
The SX30IS also has the small 1/2.33" sensor and, as expected, I noticed a lot of image noise even when the light conditions were good. To overcome this problem I changed the ISO setting to 80 (instead of the default AUTO) and reduced the resolution to 7M. This has improved the clarity of the pictures and reduced the unwanted image `noise' considerably. It is now my 'standard' setting.
The SX30IS is a delight to use. In particular the wide angle is really wide and the zoom is WOW! The digital zoom does not produce unacceptable graininess in the image. The in-built flash does a commendable job even at the fixed ISO 80 setting. The camera has a comfortable size & balance and a good feel to it. Being about 100 gms lighter than my E8800 makes it easier to carry around and, if necessary, to hold & operate with one hand. The articulated screen is very useful. The auto-focus is fairly accurate though at large zoom settings the best focus is obtained on the 2nd or 3rd attempt. It does take a bit of time getting used to the different menus and features, but that's to be expected where so many features are crammed into such a small package.
VueZone-System-with-1-Indoor-Motion-Detection-Camera-SM2200, Black-Decker-MM875-Lawn-Hog-19-Inch-12-amp-Electric-Mulching-Mower-with-Rear-Bag, Makita-9565CV-5-Inch-Variable-Speed-Angle-Grinder, Porter-Cable-690LR-11-Amp-Fixed-Base-Router, 4-Pack-Philips-Ambient-LED-Dimmable-60w-Replacement-Light-Bulb, Flowtron-LE-900-The-Ultimate-Mulcher-Electric-Leaf-Shredder, Bosch-GL4-Ariston-4-Gallon-Point-of-Use-Indoor-Electric-Mini-Tank-Water-Heater, 67Seville-Classics-SHE18370B-18-Inch-by-36-Inch-by-72-Inch-Shelving-System-Chrome, Black-Decker-NPT318-18-Volt-Cordless-Electric-Pole-Hedge-Trimmer, Kreg-KMS7200-Bandsaw-Fence, Milwaukee-48-11-2232-Value-Pack-18-Volt-2-4-Amp-Hour-NiCad-Slide-Style-Battery-2-Pack, Milwaukee-48-11-2830-M28-Lithium-Ion-Battery-Pack, Racor-PHL-1R-Pro-HeavyLift-4-by-4-Foot-Cable-Lifted-Storage-Rack, Mighty-Mule-FM143-Automatic-Gate-Lock, Rubbermaid-3H89-Configurations-4-to-8-Foot-Deluxe-Custom-Closet-Kit-Titanium, Husqvarna-125B-28cc-2-Stroke-170-MPH-Gas-Powered-Handheld-Gas-Blower-CARB-Compliant,
I used a Nikon E8800 (8mp, 10x zoom) for 5 years as my primary digital P&S. It was satisfactory in every way, although newer cameras with large LCD displays, longer zoom, faster shutter response and lots of additional electronic features did tempt me to switch. But the images produced by the 8800 were so consistent and noticeably better than what my buddies produced with a range of other P&S cameras that the temptation to 'upgrade' was easy to suppress. Sadly a few months ago the 8800 became unusable because of Nikon's dreaded "System Error" which has defied repair; so a replacement became unavoidable.
My style of photography demands a good zoom and I tried several cameras (Lumix FZ-28, Pentax X-90, Finepix S-1800, etc) and found the quality of images were well below the clarity of the 8800. Basically it comes down to the size of the sensor, which is a much under-rated factor as all manufacturers and sellers try to convince us that the mega-pixel count is the ultimate metric for resolution - WRONG. For instance the 8800 has a 8mp CCD 1/1.5" sensor (which translates to an area of 0.58sq cm and a pixel density of approx 12mp/sqcm ). All the cameras mentioned above use a sensor size 1/2.33" (0.28 sq cm), ie less than half the size of the E8800 and, due to the increase in megapixel count, with a 400% increase in pixel density ! No wonder the images aren't as sharp, especially when enlarged to full size on a computer screen. The Canon G-11 has a larger sensor but its optical zoom tops out at 5x, hence it did not appeal to me.
The SX30IS also has the small 1/2.33" sensor and, as expected, I noticed a lot of image noise even when the light conditions were good. To overcome this problem I changed the ISO setting to 80 (instead of the default AUTO) and reduced the resolution to 7M. This has improved the clarity of the pictures and reduced the unwanted image `noise' considerably. It is now my 'standard' setting.
The SX30IS is a delight to use. In particular the wide angle is really wide and the zoom is WOW! The digital zoom does not produce unacceptable graininess in the image. The in-built flash does a commendable job even at the fixed ISO 80 setting. The camera has a comfortable size & balance and a good feel to it. Being about 100 gms lighter than my E8800 makes it easier to carry around and, if necessary, to hold & operate with one hand. The articulated screen is very useful. The auto-focus is fairly accurate though at large zoom settings the best focus is obtained on the 2nd or 3rd attempt. It does take a bit of time getting used to the different menus and features, but that's to be expected where so many features are crammed into such a small package.
VueZone-System-with-1-Indoor-Motion-Detection-Camera-SM2200, Black-Decker-MM875-Lawn-Hog-19-Inch-12-amp-Electric-Mulching-Mower-with-Rear-Bag, Makita-9565CV-5-Inch-Variable-Speed-Angle-Grinder, Porter-Cable-690LR-11-Amp-Fixed-Base-Router, 4-Pack-Philips-Ambient-LED-Dimmable-60w-Replacement-Light-Bulb, Flowtron-LE-900-The-Ultimate-Mulcher-Electric-Leaf-Shredder, Bosch-GL4-Ariston-4-Gallon-Point-of-Use-Indoor-Electric-Mini-Tank-Water-Heater, 67Seville-Classics-SHE18370B-18-Inch-by-36-Inch-by-72-Inch-Shelving-System-Chrome, Black-Decker-NPT318-18-Volt-Cordless-Electric-Pole-Hedge-Trimmer, Kreg-KMS7200-Bandsaw-Fence, Milwaukee-48-11-2232-Value-Pack-18-Volt-2-4-Amp-Hour-NiCad-Slide-Style-Battery-2-Pack, Milwaukee-48-11-2830-M28-Lithium-Ion-Battery-Pack, Racor-PHL-1R-Pro-HeavyLift-4-by-4-Foot-Cable-Lifted-Storage-Rack, Mighty-Mule-FM143-Automatic-Gate-Lock, Rubbermaid-3H89-Configurations-4-to-8-Foot-Deluxe-Custom-Closet-Kit-Titanium, Husqvarna-125B-28cc-2-Stroke-170-MPH-Gas-Powered-Handheld-Gas-Blower-CARB-Compliant,
Canon EOS Rebel T3 12.2 MP CMOS Digital SLR with 18-55mm IS II Lens and EOS HD Movie Mode (Black)
This is a great entry level DSLR. I have shot all recent canon DSLRs (7D, 60D, T2i, T3i...) and I'm looking for a light travel/casual shooting camera to upgrade my XSI. I thought the T3i was it, but after trying out this camera, I think this is the cam I was looking for. Have the cam for a few days now. The build quality is a little better than what I would expect from an entry level cam. It's nice and light. The menu is simple but still offers a lot of nice custom settings.
One thing to keep in mind is that the low resolution LCD doesn't always tell the whole story. My initial test photos look rather ordinary under this LCD. However, when I view them in my desktop, they are a lot nicer. In any case, that isn't a concern for me as the LCD is just for preview anyway.
Color/saturation is spot on. ISO performance is what surprised me. I took a photo in 3200ISO, uploaded it to my website (unprocessed) and ask my photography-savvy friends to guess what ISO it was. Most of them say 400 or 800, 2-3 stops off the mark. It's so amazing, the stock lens is now totally usable indoor.Overall, I highly recommend this camera for first-time DSLR users or advance users who need a light walk-around or travel cam.
Panasonic-FV-08VQ5-WhisperCeiling-80-CFM-Ceiling-Mounted-Fan, Kraus-KBU14-30-Inch-Undermount-Single-Bowl-16-gauge-Kitchen-Sink-Stainless-Steel, Logitech-Alert-700e-Outdoor-Add-On-Security-Camera-with-Night-Vision, Envirocycle-Mini-Composter-Tan, Leatherman-850122-MUT-Tactical-Multi-Tool-Black-Oxide-Coating, Skylink-SC-100W-Security-System, White-Mountain-NDWMIME611-6-Quart-Wooden-Bucket-Electric-Motor-Ice-Cream-Maker, Barska-Top-Opening-Biometric-Fingerprint-Safe, Worthington-297297-33-Pound-Aluminum-Forklift-Propane-Cylinder-With-Gauge-And-Fill-Valve, Envirocycle-Original-Composter-Black, Bosch-MX25EC-21-2-5-Amp-Multi-X-Oscillating-Tool-Kit, Single-Handle-Pull-Down-Pre-rinse-Spring-Kitchen-Faucet-with-Two-Swivel-Spouts-Chrome-Buy, Black-Decker-LPHT120-22-Inch-20-Volt-Lithium-Ion-Cordless-Pole-Hedge-Trimmer, Black-Decker-LPP120-20-Volt-Lithium-Ion-Cordless-Pole-Saw, Black-Decker-LCS120-20-Volt-Lithium-Ion-Cordless-Chain-Saw, DEWALT-DWX723-Heavy-Duty-Miter-Saw-Stand, WORX-WG308-6-Inch-5-Amp-Electric-JawSaw-with-Extension-Handle, Buck-Hood-Hoodlum-Hunting-Knife, DEWALT-DC9180-2-18-Volt-XRP-Lithium-Ion-Batteries-2-Pack, Fenix-TK41-Flashlight, Porter-Cable-PC250MTK-2-5-Amp-Oscillating-Multi-Tool-Kit
One thing to keep in mind is that the low resolution LCD doesn't always tell the whole story. My initial test photos look rather ordinary under this LCD. However, when I view them in my desktop, they are a lot nicer. In any case, that isn't a concern for me as the LCD is just for preview anyway.
Color/saturation is spot on. ISO performance is what surprised me. I took a photo in 3200ISO, uploaded it to my website (unprocessed) and ask my photography-savvy friends to guess what ISO it was. Most of them say 400 or 800, 2-3 stops off the mark. It's so amazing, the stock lens is now totally usable indoor.Overall, I highly recommend this camera for first-time DSLR users or advance users who need a light walk-around or travel cam.
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